{"title":"ARCHITECTURE","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArchitecture books spanning theory, monographs, and practice — from Australian architecture, housing, passive design, and remote building to timber, concrete, and reuse. Covering landscape architecture, interiors, heritage, materiality, and construction, alongside the best of Japanese, Scandinavian, and European architecture.\u003c\/p\u003e\n\u003cp\u003eFree shipping within Australia on all orders over $95.\u003c\/p\u003e\n\u003cp\u003eShopping for someone else and not sure what to get them? \u003ca href=\"https:\/\/bookshopbyuro.com\/products\/rise-ai-giftcard\" title=\"Gift card\"\u003eClick here to send a gift card\u003c\/a\u003e and let them decide!\u003c\/p\u003e","products":[{"product_id":"falls-the-shadow-from-idea-to-reality-the-national-gallery-of-australia","title":"Falls the Shadow:  From Idea to Reality, The National Gallery of Australia","description":"\u003cp\u003e\u003cstrong\u003eFalls the Shadow: From Idea to Reality, The National Gallery of Australia\u003c\/strong\u003e is the first book ever published on the National Gallery of Australia — a building that is simultaneously Australia's most debated modernist landmark and its most underexamined work of public architecture.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eDesigned by Col Madigan, the National Gallery of Australia has long occupied a contested place in the country's architectural consciousness — celebrated by some, misunderstood by many, and systematically altered without the input of its lead architect over two decades. This volume finally gives the building the sustained critical attention it deserves. Eleven essays from a cross-section of Australian architecture's most distinguished voices — among them Daryl Jackson, Richard Goodwin, Angelo Candalepas, and Jennifer Taylor — construct a multifaceted portrait of a modernist Australian milestone. With photography by Max Dupain, the book moves between historical document, architectural criticism, and something closer to biography: the story of a visionary architect whose masterwork was progressively reshaped beyond his reach.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e192 pages of critical essays and Max Dupain photography documenting the design, construction, and contested legacy of the National Gallery of Australia\u003c\/li\u003e\n\u003cli\u003eEdited by Paul McGillick; designed by Paul Marcus Fuog and Uriah Gray\u003c\/li\u003e\n\u003cli\u003eEssays by Daryl Jackson, Richard Goodwin, Angelo Candalepas, Jennifer Taylor, and others\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2012\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eThe controversies surrounding the NGA's design and construction, and Madigan's ultimately unsuccessful efforts to participate in revisions made by successive gallery directors over twenty years\u003c\/li\u003e\n\u003cli\u003eHow eleven contributors from across the Australian architecture community each bring a distinct critical voice to bear on a single, complex building\u003c\/li\u003e\n\u003cli\u003eMax Dupain's photography as a document of modernist public architecture at a specific moment in Australian cultural life\u003c\/li\u003e\n\u003cli\u003eWhy the NGA represents not only Col Madigan's personal masterpiece but a measure of Australia's broader ambitions for civic and cultural architecture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003ePaul McGillick edited this volume, drawing together eleven contributors from the Australian architecture community to produce the first dedicated critical study of the National Gallery of Australia. The book was recognised with an Australian Institute of Architects Bates Smart Architecture in the Media commendation.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Bookcloth hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 192\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 285mm x 228mm x 18mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780987228109\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2012\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and historians with an interest in Australian modernism, students of public and civic architecture, and anyone seeking a critical account of one of Canberra's most significant — and most debated — cultural buildings.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14077122438,"sku":"9780987228109","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Falls-the-Shadow.jpg?v=1624101020"},{"product_id":"episodic-urbanism-peter-elliott","title":"Episodic Urbanism: RMIT Urban Spaces Project 1996-2015","description":"\u003cp\u003e\u003cstrong\u003eEpisodic Urbanism\u003c\/strong\u003e documents nearly two decades of incremental urban transformation at RMIT University's Melbourne campus — a sustained argument, through built work, for subtle change over master-planned rupture.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eOver roughly twenty years, Peter Elliott Architecture + Urban Design worked to recast RMIT University's inner-city Melbourne premises from an inward-looking institutional enclave into a porous, publicly engaged urban campus. \u003cstrong\u003eEpisodic Urbanism\u003c\/strong\u003e tells that story through a conceptual framework that draws on Renaissance Italian townscapes and the city-making of Carlo Scarpa, Luis Barragán, and Jože Plečnik — positioning RMIT's transformation in a lineage of considered, historically attentive urbanism. Where conventional masterplanning imposes homogenous vision, the episodic model privileges incremental, site-responsive intervention. With contributions from Leon van Schaik, William L Fox, SueAnne Ware, and Robert Nelson, this is both a project monograph and a broader argument about how cities can be renewed without erasure.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e192 pages of visually rich documentation including project photography, drawings, and critical essays\u003c\/li\u003e\n\u003cli\u003eContributors include Leon van Schaik, William L Fox, SueAnne Ware, and Robert Nelson; edited by Maitiú Ward; designed by Stuart Geddes\u003c\/li\u003e\n\u003cli\u003eCase study: RMIT University Urban Spaces Project, Melbourne, 1996–2015\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2015\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow an episodic, incremental design strategy can achieve urban transformation without the homogenising effects of conventional masterplanning\u003c\/li\u003e\n\u003cli\u003eThe conceptual parallels between RMIT's urban renewal and historic precedents by Scarpa, Barragán, and Plečnik\u003c\/li\u003e\n\u003cli\u003eThe relationship between institutional identity and city-making — how a university's physical presence can become a civic asset\u003c\/li\u003e\n\u003cli\u003eA model for respecting existing urban fabric and historical layering, with direct application to questions of contemporary urban renewal in Australian cities\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003ePeter Elliott is the principal of Peter Elliott Architecture + Urban Design, the Melbourne-based practice responsible for the RMIT urban campus project documented in this book. The volume also features contributions from several leading thinkers on urbanism, architecture, and the city.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 192\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 210mm x 275mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994269706\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2015\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Urban designers, architects engaged with institutional and civic projects, and those interested in Melbourne's built environment and the theory and practice of incremental urbanism.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14772084806,"sku":"9780994269706","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Episodic-Urbanism-Peter-Eliott.jpg?v=1624097992"},{"product_id":"studio-futures-changing-trajectories-in-architectural-education","title":"Studio Futures: Changing Trajectories in Architectural Education","description":"\u003cp\u003e\u003cstrong\u003eStudio Futures: Changing Trajectories in Architectural Education\u003c\/strong\u003e interrogates the design studio as an institutional form — asking whether it can survive the pressures of digital disruption, shifting procurement models, and an expanding definition of architectural practice.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eThe design studio has long been architecture's most productive site of experimentation, but its continued relevance is far from assured. \u003cstrong\u003eStudio Futures\u003c\/strong\u003e brings together case studies of innovative studio models alongside critical essays tracing the studio's history and its potential futures. A broader survey of practitioners grounds the academic discourse in the realities of professional life. Edited by Donald Bates, Vivian Mitsogianni, and Diego Ramírez-Lovering, the book is less a defence of existing pedagogical structures than a serious reckoning with what architectural education must become — for practice, for research, and for society. Essential reading for educators, students, and practitioners invested in the discipline's future.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e176 pages of critical essays, practitioner surveys, and case studies of innovative studio models\u003c\/li\u003e\n\u003cli\u003eEdited by Donald Bates, Vivian Mitsogianni, and Diego Ramírez-Lovering; designed by Michael Bojkowski\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2015\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow digital technology, new materials, and shifting procurement models are challenging the traditional design studio\u003c\/li\u003e\n\u003cli\u003eCase studies of studio models that are actively responding to the changing demands of architectural practice and research\u003c\/li\u003e\n\u003cli\u003ePractitioner perspectives on the pressures facing the discipline at the coalface of professional life in Australia and New Zealand\u003c\/li\u003e\n\u003cli\u003eA sustained argument for the studio's continued relevance — not as preservation of the status quo, but as a platform for architectural production reimagined\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eDonald Bates is the lead editor of this volume, working alongside co-editors Vivian Mitsogianni and Diego Ramírez-Lovering. 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Katsura Rikyū — among the most studied examples of imperial Japanese architecture, famously rediscovered by Bruno Taut and later examined by Kenzō Tange, Walter Gropius, and photographer Ishimoto Yasuhiro — is here set against a transient shelter that, by Boardman's account, more honestly expresses the original villa's aspiration toward simplicity. The resulting 42 paired photographs resist easy categorisation, functioning simultaneously as architectural photography, documentary work, and social commentary. The volume extends a century-long dialogue between Katsura Rikyū as a built place, Japan as a cultural context, and the Western architectural gaze. Introduced by novelist and essayist Pico Iyer, it is an edition of 200 copies, each including a pair of signed and numbered prints.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e96 pages of 42 paired photographic sets documenting Katsura Rikyū and an adjacent makeshift shelter in Kyoto\u003c\/li\u003e\n\u003cli\u003eIntroduction entitled \"Sunlight and Shade in Katsura\" by essayist and novelist Pico Iyer; design by Mark Gowing\u003c\/li\u003e\n\u003cli\u003eLimited edition of 200 copies, each including one pair of signed and numbered prints\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2015\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow two structures separated by centuries of intent — an imperial villa and a temporary shelter — echo each other in their articulation of human desires for order, tranquility, and dignity\u003c\/li\u003e\n\u003cli\u003eThe photographic traditions that inform Boardman's approach: Ishimoto Yasuhiro's classic architectural images of Katsura and Ryuji Miyamoto's documentary study of homelessness in \u003cem\u003eCardboard Houses\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe intellectual lineage of Katsura Rikyū in the East-West architectural dialogue, from Bruno Taut's 1930s rediscovery through to Tange and Gropius's seminal \u003cem\u003eTradition and Creation in Japanese Architecture\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eBuddhist concepts of zazen and koan as frameworks for engaging with architecture — the suspension of judgement as a mode of spatial understanding\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eBrett Boardman is an Australian photographer whose practice engages with architecture, space, and the built environment. 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The book draws together contributions from architects, academics, and critics to interrogate how a practice of this scale maintains design coherence across cultures, typologies, and geographies. From signature civic buildings in Australia to urban infrastructure projects in Asia's rapidly expanding cities, the work presented here reflects the pressures and possibilities of globally networked architectural practice. 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Contributors include Elizabeth Farrelly, author and regular \u003cem\u003eSydney Morning Herald\u003c\/em\u003e columnist; John Worthington, founder of international planning and architecture firm DEGW; and Professor Sue Anne Ware of RMIT University.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover (clothbound)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 312\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 287mm x 228mm x 30mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780987228154\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2013\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects, urban designers, and students of Australian and Asia-Pacific architectural practice; those interested in large multidisciplinary design firms and the civic architecture of the late 20th and early 21st centuries.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"White foil on grey bookcloth","offer_id":14869920390,"sku":"9780987228154","price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Multitudes-Hassell.jpg?v=1624099915"},{"product_id":"paul-morgan-architects","title":"Paul Morgan Architects","description":"\u003cp\u003e\u003cstrong\u003ePaul Morgan Architects\u003c\/strong\u003e documents one of Australia's most unconventional architectural practices — a studio whose projects range from climate-crisis survival pods to environmentally sculpted buildings, and whose multi-award-winning body of work resists easy categorisation.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eThe first volume in Uro's minimono series, this compact monograph traces the thinking and built work of Paul Morgan Architects across residential, educational and institutional projects. The practice operates at an unusual intersection of science fiction, sustainability and architectural speculation — and has nonetheless accumulated a significant award history, including the Robin Boyd Award for Residential Buildings and a citation from the Zumtobel Group Award for Sustainability and Humanity in the Built Environment. Critical essays by Kristin Feireiss, Conrad Hamann and Dr Vivian Mitsogianni situate the work within a rigorous intellectual framework, while Peter Bennetts' photography and the practice's own drawings illuminate the process behind the projects. An essential document for anyone serious about the leading edge of Australian architecture.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e112 pages of project photography by Peter Bennetts, practice drawings, and visualisations\u003c\/li\u003e\n\u003cli\u003eCritical contributions from Kristin Feireiss (co-founder, Aedes, Berlin; former director, Netherlands Architecture Institute), Conrad Hamann (author and architectural historian), and Dr Vivian Mitsogianni (Associate Professor in Architecture, RMIT University)\u003c\/li\u003e\n\u003cli\u003eDocuments significant public and private commissions including multi-award-winning residential, educational and institutional work\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2013\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Paul Morgan Architects synthesises environmental responsiveness, speculative thinking and science-fiction sensibility into a coherent architectural practice\u003c\/li\u003e\n\u003cli\u003eThe conceptual and material processes behind both the practice's celebrated residential work and its more recent institutional commissions\u003c\/li\u003e\n\u003cli\u003eCritical perspectives from international and Australian voices on what this maverick studio contributes to the discipline\u003c\/li\u003e\n\u003cli\u003eThe curatorial intent of Uro's minimono series — distilling the big ideas of emerging practices into compact, critically engaged volumes\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eThe volume is edited by Maitiú Ward and designed by Paul Marcus Fuog and Uriah Gray. Critical contributors include Kristin Feireiss, co-founder of the architectural forum Aedes in Berlin and a former director of the Netherlands Architecture Institute; Conrad Hamann, author and architectural historian; and Dr Vivian Mitsogianni, Associate Professor in Architecture at RMIT University.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 112\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 230mm x 190mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780987228178\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2013\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and students interested in speculative and sustainable design, researchers tracking contemporary Australian architecture, and collectors of Uro's minimono series.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14871176454,"sku":"9780987228178","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Paul-Morgan-Architects.jpg?v=1624099669"},{"product_id":"semi-detached-writing-representation-and-criticism-in-architecture","title":"Semi-Detached: Writing, Representation and Criticism in Architecture","description":"\u003cp\u003e\u003cstrong\u003eSemi-Detached: Writing, Representation and Criticism in Architecture\u003c\/strong\u003e assembles architects, critics, and photographers to interrogate how words and images construct architectural meaning — and where those conventions break down.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eArchitectural representation is never neutral. The drawings, photographs, and critical texts through which buildings are understood shape how architecture is practised, judged, and remembered. This collection documents the conventions that govern that representation while simultaneously testing their limits. Essays and interviews from practising architects sit alongside contributions from leading Australian architectural photographers, producing a conversation that is as much about disciplinary self-awareness as it is about craft. The result is a rare document: one that takes seriously the role of criticism and visual culture in defining what architecture is and what it can become. Essential reading for anyone engaged with architectural discourse, history, or media.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e328 pages of essays, interviews, and architectural photography examining representation across practice and criticism\u003c\/li\u003e\n\u003cli\u003eEdited by Naomi Stead; designed by Rita Reuter\u003c\/li\u003e\n\u003cli\u003eContributors include John Macarthur, Marcus Trimble, Justine Clark, Gavin Hipkins, Katja Grillner, Philip Goad, Brett Boardman, Peter Bennetts, Jan van Schaik, and Elizabeth Watson-Brown\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2012\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow architectural photography constructs meaning beyond simple documentation, as explored by leading Australian practitioners in the field\u003c\/li\u003e\n\u003cli\u003eThe ways practising architects consciously engage with — and sometimes resist — conventions of representation in their own work\u003c\/li\u003e\n\u003cli\u003eHow critical writing functions not as commentary on architecture but as a constitutive force within the discipline\u003c\/li\u003e\n\u003cli\u003eProductive strategies for subverting established representational conventions to broaden architectural discourse\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eNaomi Stead is the editor of this collection and a contributor to its critical framework. Her work engages with architectural criticism, history, and theory.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 328\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 210mm x 210mm x 25mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780987228130\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2012\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects, critics, historians, and educators interested in architectural representation, visual culture, and the role of criticism within design practice\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14900542726,"sku":"9780987228130","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/semi-detached-naomi-stead.jpg?v=1624100650"},{"product_id":"hill-thalis","title":"Hill Thalis Architecture + Urban Projects","description":"\u003cp\u003e\u003cstrong\u003eHill Thalis\u003c\/strong\u003e is the second volume in Uro's minimono series and examines one of Australia's most consistently civic-minded architectural practices through ten carefully selected projects that span houses, apartments, public parks, and urban infrastructure.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eHill Thalis Architecture + Urban Projects has, since 1992, approached every commission — regardless of scale or budget — as an act of city making. This monograph, compact in form but serious in intent, presents ten projects drawn from a body of over 550 commissions, studies, and built works. What distinguishes Hill Thalis is its explicit commitment to the public realm: co-authors David and Michael Neustein frame the practice's output as consistently \u003cem\u003epro bono publico\u003c\/em\u003e in its orientation. The book situates this ethos within broader conversations about Australian urbanism through an interview between Philip Thalis and architects Rachel Neeson and Richard Francis-Jones, an essay by the Neusteins, and a contribution from Australian Institute of Architects Gold Medallist Lawrence Nield. For anyone thinking seriously about architecture's role in the contemporary Australian city, this is essential reading.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e112 pages documenting ten key projects from over 550 commissions spanning residential, civic, and urban scales\u003c\/li\u003e\n\u003cli\u003eEditor: Andrew Mackenzie; Design: Paul Marcus Fuog and Uriah Gray\u003c\/li\u003e\n\u003cli\u003eEssays and interview featuring Lawrence Nield (AIA Gold Medallist), Rachel Neeson, Richard Francis-Jones, and David and Michael Neustein\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Hill Thalis applies a consistent civic philosophy across wildly varying project types and scales — from keyhole urban interventions to major masterplanning\u003c\/li\u003e\n\u003cli\u003eThe practice's argument that the city is a shared public asset requiring active architectural advocacy and defence\u003c\/li\u003e\n\u003cli\u003eCritical perspectives on the practice's work from peers within the Sydney architectural community, including Neeson and Francis-Jones\u003c\/li\u003e\n\u003cli\u003eThe minimono series' methodology: distilling the conceptual foundations of a practice into a focused, critically framed selection of key works\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 112\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 190mm x 230mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994269720\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and urban designers engaged with Australian city-making; students and academics researching civic-minded practice; anyone following the work of Hill Thalis, Philip Thalis, Rachel Neeson, or Richard Francis-Jones.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":15669566470,"sku":"9780994269720","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Hill-Thalis.jpg?v=1624099380"},{"product_id":"some-reasons-for-travelling-to-italy","title":"Some Reasons For Travelling To Italy","description":"\u003cp\u003e\u003cstrong\u003eSome Reasons for Travelling to Italy\u003c\/strong\u003e reframes the grand tour as a personal architectural inquiry, presenting Peter Wilson's idiosyncratic case for Italy through an eclectic series of reasons rather than a conventional itinerary.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003ePart sketchbook, part cultural meditation, \u003cstrong\u003eSome Reasons for Travelling to Italy\u003c\/strong\u003e resists the tidy logic of the travel guide. Architect Peter Wilson draws on a lifetime of engagement with Italian cities to construct an argument for the country that runs deeper than its obvious attractions. Published to accompany a 2016 exhibition at the AA School of Architecture in London, the book takes the form of a latter-day Baedeker — but one driven by architectural imagination rather than pragmatic itinerary. Wilson's own drawings and watercolours carry much of the meaning here, making this as much a work of visual thinking as written reflection. For architects and designers attuned to Italy's role in shaping the discipline's cultural mythology, this is a rare personal document.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e160 pages of Wilson's original drawings and watercolours alongside written reflections on Italian architectural culture\u003c\/li\u003e\n\u003cli\u003eAuthor: Peter Wilson\u003c\/li\u003e\n\u003cli\u003eProduced to accompany an exhibition of the same title at the AA School, 2016\u003c\/li\u003e\n\u003cli\u003ePublished by AA Publications, 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow an architect's sustained relationship with Italian cities produces insight that tourism and scholarship separately cannot\u003c\/li\u003e\n\u003cli\u003eThe grand tour reconsidered — not as a rite of passage but as a framework for understanding Italy's architectural habitat and cultural mythology\u003c\/li\u003e\n\u003cli\u003eWilson's original watercolours and drawings as a mode of architectural analysis, not mere illustration\u003c\/li\u003e\n\u003cli\u003eAn eclectic, avowedly personal set of reasons to engage with Italy that challenge the received canon of must-see sites\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003ePeter Wilson is an architect for whom Italian cities have served as sustained professional and intellectual reference points throughout his career. His engagement with Italy informs both his built work and the idiosyncratic visual thinking on display throughout this book.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 160\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 193 x 142 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781907896781\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e AA Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and designers with a serious interest in Italian architectural culture, readers drawn to the tradition of the grand tour, and anyone who responds to drawing and watercolour as instruments of spatial thinking.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/CmLgexdvoIC\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\"\u003e\n\u003cdiv style=\"padding: 16px;\"\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/p\/CmLgexdvoIC\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; width: 100%;\" target=\"_blank\"\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; align-items: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewbox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-top: 8px;\"\u003e\n\u003cdiv style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/CmLgexdvoIC\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"AA Publications","offers":[{"title":"Default Title","offer_id":19750188358,"sku":"9781907896781","price":72.6,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/SomereasonsfortravellingtoItaly.jpg?v=1671087296"},{"product_id":"constructing-architecture-pb","title":"Constructing Architecture: Materials, Processes, Structures. A Handbook","description":"\u003cp\u003e\u003cstrong\u003eConstructing Architecture\u003c\/strong\u003e is the comprehensive technical manual that bridges architectural theory and building practice, tracing the discipline from raw materials through to complete buildings in a single, systematically organised volume.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eNow in its third, revised and expanded edition, \u003cstrong\u003eConstructing Architecture\u003c\/strong\u003e has earned its place as a foundational architectural textbook at universities worldwide. Edited by Andrea Deplazes, the book moves with deliberate logic through four interlocking scales: raw materials and building materials, elements and components, structural systems and building methods, and finally complete buildings examined as documented examples. This edition introduces new sections on elevators, shell construction and core-and-shell methods, and expands the typology discussion to include courtyard and veranda houses. Three additional projects are documented step-by-step through their full design processes. For students and practising architects alike, it functions as both a teaching text and a working reference on construction technology.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e588 pages of technical drawings, construction diagrams, and documented building examples organised across four thematic chapters\u003c\/li\u003e\n\u003cli\u003eEdited by Andrea Deplazes\u003c\/li\u003e\n\u003cli\u003eNew sections on elevators, shell construction, and courtyard versus veranda house typologies in this third edition\u003c\/li\u003e\n\u003cli\u003eThree additional projects documented comprehensively and step-by-step in the Buildings chapter\u003c\/li\u003e\n\u003cli\u003ePublished by Birkhauser, 2005\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow building materials behave as modules — the elemental logic underpinning all construction decisions\u003c\/li\u003e\n\u003cli\u003eThe relationship between structural systems and building methods, from shell construction to core-and-shell assemblies\u003c\/li\u003e\n\u003cli\u003eHow typological thinking shapes built outcomes, explored through the contrast of courtyard and veranda house forms\u003c\/li\u003e\n\u003cli\u003eComplete design processes laid out project-by-project, making the gap between drawing and construction legible\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eAndrea Deplazes is the editor of this internationally prize-winning volume, which has been adopted as a core textbook at architecture schools across the world since its first edition.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 588\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 242 x 296 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783035626667\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Birkhauser\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2005\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architecture students and educators seeking a definitive construction technology reference, and practising architects who require a systematic handbook covering materials, components, structures, and building typologies.\u003c\/p\u003e","brand":"Birkhauser","offers":[{"title":"Default Title","offer_id":19781231110,"sku":"9783035626667","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Constructing-Architecture-Materials-Processes-Structures-A-Handbook.jpg?v=1626764974"},{"product_id":"atmospheres","title":"Atmospheres: Peter Zumthor","description":"\u003cp\u003e\u003cstrong\u003eAtmospheres\u003c\/strong\u003e is Peter Zumthor's account of how he deliberately pursues a quality in architecture that most designers leave to chance — that singular density of mood and feeling of presence that transforms a building into an inhabited experience.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eIn nine short illustrated chapters structured as a process of self-observation, Zumthor traces the thinking behind his approach to architectural atmosphere — from the tactile presence of materials and the handling of proportions, to the quality of light and the role that music and literature play in shaping his sensibility. This is not a theoretical treatise but something closer to a poetics of architecture: direct, personal, and grounded in the discipline of making buildings that move people. For architects and students grappling with the gap between technical competence and genuine spatial effect, \u003cem\u003eAtmospheres\u003c\/em\u003e is one of the few books that speaks honestly to what that difference actually is.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e75 pages of illustrated chapters combining images of influential spaces with Zumthor's reflective prose\u003c\/li\u003e\n\u003cli\u003eNine chapters framed as a process of self-observation on architectural design\u003c\/li\u003e\n\u003cli\u003ePublished by Birkhauser Architecture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eZumthor's own account of what he means by architectural atmosphere — not as metaphor but as a concrete design intention\u003c\/li\u003e\n\u003cli\u003eHow the composition and tactile presence of materials contribute to the emotional register of a space\u003c\/li\u003e\n\u003cli\u003eThe role that non-architectural influences — particular pieces of music, books, and images — play in Zumthor's design process\u003c\/li\u003e\n\u003cli\u003eHow proportion, light, and spatial density operate together to produce a feeling of well-being or unease in built work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003ePeter Zumthor is a Swiss architect whose work is defined by an intense commitment to material presence, sensory experience, and the emotional resonance of built space. His buildings and writings have established him as one of the most philosophically rigorous voices in contemporary architecture.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 75\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 243 x 177 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783764374952\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Birkhauser Architecture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects, architecture students, and serious design thinkers interested in the phenomenology of space and the relationship between intention and atmospheric effect in built work.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/CUW5T9hlFKc\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"13\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\"\u003e\n\u003cdiv style=\"padding: 16px;\"\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/p\/CUW5T9hlFKc\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; width: 100%;\" target=\"_blank\"\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; align-items: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; 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font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/CUW5T9hlFKc\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"Birkhauser","offers":[{"title":"Default Title","offer_id":19781231750,"sku":"9783764374952","price":79.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/files\/218kYrdFOIL.jpg?v=1730940638"},{"product_id":"the-chinese-garden","title":"The Chinese Garden","description":"\u003cp\u003e\u003cstrong\u003eThe Chinese Garden\u003c\/strong\u003e traces the compositional principles, plant palettes, and spatial logic of the Chinese garden tradition from its surviving historical examples through to contemporary projects by figures including I.M. Pei and Ai Weiwei.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eGarden traditions are rarely studied on their own terms by practising designers. Botanical surveys and art-historical accounts dominate the literature, leaving the landscape architect without a working understanding of how these spaces are actually composed. This volume addresses that gap directly, approaching the Chinese garden as a living design resource rather than a historical artefact. Bianca Maria Rinaldi examines the underlying compositional principles and plant typologies that define the tradition, then demonstrates their application in contemporary landscape design — from the celebrated gardens at the Bank of China in Hong Kong to Ai Weiwei's Yiwu Riverbank Park and Chinese-inspired gardens in Los Angeles and Portland. The result is a book equally useful as a reference and as a source of genuine design inspiration.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e175 pages of comparative landscape analysis, historical garden documentation, and contemporary project references\u003c\/li\u003e\n\u003cli\u003eAuthor: Bianca Maria Rinaldi\u003c\/li\u003e\n\u003cli\u003eNotable projects include: Bank of China garden, Hong Kong (I.M. Pei); Ai Weiwei's Yiwu Riverbank Park; Garden of Flowering Fragrance, Los Angeles; Garden of Awakening Orchids, Portland\u003c\/li\u003e\n\u003cli\u003ePublished by Birkhauser, ISBN: 9783034602228\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eThe essential compositional principles of the Chinese garden tradition, drawn from centuries of surviving historical examples\u003c\/li\u003e\n\u003cli\u003eHow specific plant species are characteristically used within Chinese garden design and what roles they play spatially and symbolically\u003c\/li\u003e\n\u003cli\u003eHow contemporary designers — from I.M. Pei to Ai Weiwei — have translated classical Chinese garden logic into modern landscape projects\u003c\/li\u003e\n\u003cli\u003eA design-led methodology for engaging with historical garden traditions that moves beyond botanical or art-historical frameworks\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eBianca Maria Rinaldi is the author of this volume.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 175\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 305 x 235 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783034602228\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Birkhauser\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Landscape architects and garden designers seeking a design-led understanding of Chinese garden traditions, and academics studying cross-cultural approaches to contemporary landscape practice.\u003c\/p\u003e","brand":"Birkhauser","offers":[{"title":"Default Title","offer_id":20610530310,"sku":"9783034602228","price":69.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/The-Chinese-Garden_8fbee750-1033-4a77-ab00-d5d7886875ab.jpg?v=1755051022"},{"product_id":"convergent-flux","title":"Convergent Flux: Contemporary Architecture and Urbanism in Korea","description":"\u003cp\u003e\u003cstrong\u003eConvergent Flux\u003c\/strong\u003e maps the architectural and urban transformation of South Korea through 32 carefully examined projects, situating a rapidly verticalising built environment within the pressures of globalisation, cultural identity, and extreme urban density.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eSeoul is the second largest conurbation in the world after Tokyo, with 10.5 million residents in its centre and some 25 million across its metropolitan area. That density is not merely a statistic — it is the generative condition of contemporary South Korean architecture. \u003cem\u003eConvergent Flux\u003c\/em\u003e takes this condition seriously, tracing how Korean architects and urban planners are responding to a landscape shaped by rapid industrialisation, population pressure, and the tension between inherited cultural traditions and global architectural forces. Five essays address the fusion of tradition and modernity, the redefinition of social spaces, and the country's distinct topographical character, giving the project studies a critical framework rather than leaving them as isolated showcases.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e176 pages of project photography, drawings, and critical essays on South Korean architecture and urban planning\u003c\/li\u003e\n\u003cli\u003eAuthors: Jinhee Park and John Hong\u003c\/li\u003e\n\u003cli\u003e32 projects examined in detail across architecture, urban development, and landscape architecture\u003c\/li\u003e\n\u003cli\u003eFive thematic essays addressing tradition, modernity, social space, and topography\u003c\/li\u003e\n\u003cli\u003ePublished by Birkhaeuser, ISBN: 9783034608060\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow extreme urban density in Seoul is driving verticalisation and demanding new efficiencies in spatial design\u003c\/li\u003e\n\u003cli\u003eThe negotiation between South Korea's cultural identity and the homogenising pressures of globalisation as expressed in built form\u003c\/li\u003e\n\u003cli\u003eHow Korean architects are redefining \"social spaces\" in response to a rapidly urbanised population\u003c\/li\u003e\n\u003cli\u003eThe role of landscape architecture and topography in a country whose built and natural environments are under constant negotiation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eJinhee Park and John Hong are the co-authors of this volume.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 176\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 285 x 220 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783034608060\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Birkhaeuser\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and urban designers with an interest in Asian cities, academics researching contemporary Korean architecture, and practitioners working on high-density urban environments.\u003c\/p\u003e","brand":"Birkhaeuser","offers":[{"title":"Default Title","offer_id":20610531974,"sku":"9783034608060","price":90.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Convergent-Flux.jpg?v=1623912986"},{"product_id":"building-with-water","title":"Building with Water","description":"\u003cp\u003e\u003cstrong\u003eBuilding with Water\u003c\/strong\u003e establishes a working typology of water-adjacent architecture across roughly twenty international projects, examining how buildings by rivers, lakes, and the sea can respond to their defining site condition with ecological seriousness.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eWater as architectural context demands more than scenic position — it shapes structure, material, orientation, and environmental responsibility. This book builds a typology around that premise, organising contemporary projects by their relationship to river, lake, or sea, and introducing each category with a canonical precedent: the Chateau de Chenonceaux, Frank Lloyd Wright's Fallingwater, and Louis I. Kahn's Salk Institute. The focus throughout is not on trophy buildings in exclusive settings but on projects that engage water as a genuine design criterion — ecologically, formally, and programmatically. 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Kahn\u003c\/li\u003e\n\u003cli\u003ePublished by Birkhauser Architecture, ISBN: 9783034601566\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eA clear typology of water-adjacent building organised by location — river, lake, or sea — rather than building type alone\u003c\/li\u003e\n\u003cli\u003eHow canonical works by Wright and Kahn established formal and ecological precedents for building in relation to water\u003c\/li\u003e\n\u003cli\u003eWhy ecological sustainability, not visual spectacle, is the book's primary criterion for project selection\u003c\/li\u003e\n\u003cli\u003eThe range of programmes — from housing to cultural institutions — that architects have resolved on water-constrained sites\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eZoe Ryan is the author of this study.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 160\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 305 x 235 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783034601566\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Birkhauser Architecture\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects designing on waterfront or flood-prone sites, urban planners addressing water infrastructure, and design researchers working on ecological approaches to site-specific architecture.\u003c\/p\u003e","brand":"Birkhauser Architecture","offers":[{"title":"Default Title","offer_id":20610532998,"sku":"9783034601566","price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Building-with-Water.jpg?v=1623909734"},{"product_id":"freestanding-houses-a-housing-typology","title":"Freestanding Houses: A Housing Typology","description":"\u003cp\u003e\u003cstrong\u003eFreestanding Houses: A Housing Typology\u003c\/strong\u003e is the fourth volume in Birkhäuser's systematic typology series, presenting the freestanding house as both a singular residential element and a building block for larger urban structures — examined through newly drawn, uniform plans and sections.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eTypological knowledge underpins intelligent residential design, yet it is rarely presented with the rigour it demands. Gunter Pfeifer and Per Brauneck's study of the freestanding house fills that gap with precision: mapping the type's all-around orientation, its capacity for optimal dwelling arrangement, and the tensions that define its evolution — self-sufficiency versus neighbourly integration, Loos's Raumplan versus Le Corbusier's plan libre, individuality versus density. Variants are distinguished systematically by access type and number of floors, with each option rendered in newly scaled ground plans and sections that allow direct comparison. 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This publication by Moritz Hauschild and Rudiger Karze addresses exactly that gap, tracing the digital process chain from initial measurement and design through to production and construction. It confronts the questions that practicing architects and design studios face daily: how digital methods change the nature of architectural authorship, where computational tools create genuine advantage, and how firms of different scales can integrate these approaches into professional practice without prohibitive cost. 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The studio is widely known for its research-driven approach to urbanism, domesticity, and spatial behaviour, as well as for its distinctive drawing practice.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 174\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 265 x 265 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9784887063402\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e TOTO Publishing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and students interested in drawing as a design research method, and anyone studying Atelier Bow-Wow's spatial thinking across residential and public typologies.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/Chd1ig7vwWU\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background: #FFF; 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font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/Chd1ig7vwWU\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"Toto","offers":[{"title":"Default Title","offer_id":22829889158,"sku":"9784887063402","price":79.2,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Graphic-anatomy-atelierbowwow2.jpg?v=1631840926"},{"product_id":"glenn-murcutt-the-architecture-of-glenn-murcutt","title":"Glenn Murcutt: The Architecture Of Glenn Murcutt","description":"\u003cp\u003e\u003cstrong\u003eThe Architecture of Glenn Murcutt\u003c\/strong\u003e examines 13 built works by Australia's most celebrated architect through captivating photography, sketches, and plans that together articulate his defining principle: an architecture that touches the earth lightly.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eGlenn Murcutt's architecture is not easily reduced to style. It is, at its core, a practice of listening — to landscape, climate, light, and the natural world — and translating that attentiveness into built form of eloquent restraint. This monograph, published by TOTO, presents 13 of Murcutt's works with the kind of care their subject demands: photographs that illuminate the harmony between building and landscape, accompanied by sketches and plans that reveal the thinking behind each resolved detail. An introductory essay by the architect himself grounds the work in his own words. For anyone serious about sustainable design, Australian architecture, or the relationship between built form and natural environment, this is a foundational text.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e328 pages of architectural photography, sketches, plans, and project documentation across 13 works\u003c\/li\u003e\n\u003cli\u003eIntroductory essay by Glenn Murcutt\u003c\/li\u003e\n\u003cli\u003e13 named case study projects examined in depth\u003c\/li\u003e\n\u003cli\u003ePublished by TOTO\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Murcutt's philosophy of touching the earth lightly translates into specific formal and material decisions across 13 distinct projects\u003c\/li\u003e\n\u003cli\u003eThe relationship between refined detailing and environmental responsiveness as twin drivers of his architectural approach\u003c\/li\u003e\n\u003cli\u003eThe role of the surrounding natural world — landscape, light, climate — as an active participant in the daily experience of his buildings\u003c\/li\u003e\n\u003cli\u003eMurcutt's own account of his architecture through a short introductory essay, offering direct insight into his design thinking\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 328\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 260 x 200 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9784887062931\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e TOTO\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects, landscape architects, and design students with a serious interest in Australian architecture, environmental design, and the intersection of built form with the natural landscape.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DL_rFUMyODF\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https:\/\/www.instagram.com\/p\/DL_rFUMyODF\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c\/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c\/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/DL_rFUMyODF\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/blockquote\u003e","brand":"Toto","offers":[{"title":"Default Title","offer_id":27367033670,"sku":"9784887062931","price":121.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/The-architecture-of-glenn-murcutt.jpg?v=1624101061"},{"product_id":"a-u-architects-in-china","title":"a+u 546: Architects in China","description":"\u003cp\u003e\u003cstrong\u003ea+u: Architects in China\u003c\/strong\u003e documents a pivotal moment in Chinese architecture, surveying more than 20 projects across Beijing, Shanghai, and Guangzhou as the country's urbanisation rate accelerated into one of the most consequential building booms of the modern era.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003ePublished in 2003, this issue of the influential Japanese architecture journal a+u captures Chinese architecture at a point of genuine transformation. As rapid economic development reshaped the country's cities, a new generation of Chinese architects was producing work of serious ambition — and this volume assembles their projects across a striking range of typologies. From cultural institutions and university buildings to warehouses and single-family homes, the selection resists easy categorisation. Practices including Atelier Deshaus, MAD Architects, and TM Studio are among those featured, making this an essential document of contemporary Chinese architecture and its urban context.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e168 pages of project photography, drawings, and architectural documentation across more than 20 works\u003c\/li\u003e\n\u003cli\u003eEdited by Ma Weidong\u003c\/li\u003e\n\u003cli\u003eNotable practices include Atelier Deshaus, MAD Architects, and TM Studio\u003c\/li\u003e\n\u003cli\u003ePublished by a+u, 2003\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Chinese architects responded to accelerating urbanisation with projects spanning metropolitan centres including Beijing, Shanghai, and Guangzhou\u003c\/li\u003e\n\u003cli\u003eThe breadth of typological ambition in early 2000s Chinese practice — from cultural institutions to single-family homes\u003c\/li\u003e\n\u003cli\u003eThe early work of practices that would go on to define contemporary Chinese architecture internationally, including MAD Architects and Atelier Deshaus\u003c\/li\u003e\n\u003cli\u003eThe relationship between China's economic transformation and the building sector's rapid expansion, as framed through specific built work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 168\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 220 x 290 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9784900211896\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e a+u\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2003\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects, urban designers, and researchers with an interest in the development of contemporary Chinese architecture and the urbanisation of China's major metropolitan centres.\u003c\/p\u003e","brand":"a+u","offers":[{"title":"Default Title","offer_id":28913158022,"sku":"9784900211896","price":63.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/a_u-546-Architects-in-China.jpg?v=1623888253"},{"product_id":"manual-of-section","title":"Manual of Section","description":"\u003cp\u003e\u003cstrong\u003eManual of Section\u003c\/strong\u003e establishes the first systematic framework for understanding architectural section — a representational technique debated intensely among architects and educators yet, until this book, never codified into a coherent critical language.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eSection is the cut that reveals how a building truly works: its spatial relationships, structural logic, and experiential character. Despite its centrality to architectural design, no rigorous taxonomy of section existed before this book. Paul Lewis, Marc Tsurumaki, and David J. Lewis identify seven categories — from simple single-storey volumes to complex configurations involving stacked forms, internal voids, inclined planes, and nested structures — and illustrate each through sixty-three meticulously constructed cross-section perspective drawings of built projects spanning the last century. Grounded in extensive archival research and accompanied by essays on the history and use of section, this is an indispensable reference for architectural education and practice.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e208 pages of analytical cross-section perspective drawings, categorical frameworks, and historical essays\u003c\/li\u003e\n\u003cli\u003eEdited by Annette Hillebrandt, Petra Riegler-Floors, Anja Rosen, and Johanna-Katharina Seggewies\u003c\/li\u003e\n\u003cli\u003eSixty-three intricately detailed cross-section drawings of significant international built projects from the last one hundred years\u003c\/li\u003e\n\u003cli\u003ePublished by Princeton Architectural Press\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eA taxonomy of seven section types — including sheared planes, internal holes, inclines, and nested forms — that gives architects a shared critical vocabulary\u003c\/li\u003e\n\u003cli\u003eCross-section perspective drawings of sixty-three major works of international architecture, constructed from archival research\u003c\/li\u003e\n\u003cli\u003eHow section functions as both a design tool and a representational technique across a century of significant built projects\u003c\/li\u003e\n\u003cli\u003eEssays tracing the history and evolving uses of section in architectural thinking and practice\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eThe analytical content was developed by Paul Lewis, Marc Tsurumaki, and David J. Lewis, whose cross-section drawings form the core of the book. The volume was edited by Annette Hillebrandt, Petra Riegler-Floors, Anja Rosen, and Johanna-Katharina Seggewies.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 208\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 280 x 190 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781616892555\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Princeton Architectural Press\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and students seeking a rigorous analytical framework for section, educators developing design curricula, and practitioners engaged with spatial complexity and architectural representation.\u003c\/p\u003e","brand":"Princeton Architectural Press","offers":[{"title":"Default Title","offer_id":31200922444,"sku":"9781616892555","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Manual-of-Section.jpg?v=1624106526"},{"product_id":"sydney-architecture","title":"Sydney Architecture","description":"\u003cp\u003e\u003cstrong\u003eSydney Architecture\u003c\/strong\u003e profiles over 100 buildings across Australia's oldest and largest city, setting the precision of contemporary design against the harbour's beauty and the unruly pressure of the surrounding bushland.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eSydney's architectural identity is defined by contradictions: sleek modernist houses pressed against dense bushland, high-density urbanism framed by one of the world's most spectacular natural harbours. This volume documents that tradition with rigour, profiling more than 100 buildings through drawings, photographs, and detailed project descriptions. It is both a record of the city's built environment and a critical survey of the design intelligence that has shaped it. For practitioners, students, and serious design readers seeking a structured account of Sydney's architectural heritage and contemporary production, this is an essential reference.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e192 pages of architectural photography, drawings, and detailed project descriptions across more than 100 buildings\u003c\/li\u003e\n\u003cli\u003eEdited by Paul McGillick and Patrick Bingham-Hall\u003c\/li\u003e\n\u003cli\u003ePublished by Pesaro Publishing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Sydney's natural landscape — harbour, bushland, topography — has shaped and complicated its architectural development\u003c\/li\u003e\n\u003cli\u003eThe contrast between contemporary residential design and the city's older, more heterogeneous building stock\u003c\/li\u003e\n\u003cli\u003eDetailed drawn and photographic documentation across a broad cross-section of building types and eras\u003c\/li\u003e\n\u003cli\u003eThe spatial logic of Australia's largest city read through more than 100 individual built works\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 192\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 230 x 240 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781877015052\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Pesaro Publishing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects, urban designers, and design historians with an interest in Australian architecture, Sydney's built environment, and the relationship between city-making and landscape.\u003c\/p\u003e","brand":"Pesaro Publishing","offers":[{"title":"Default Title","offer_id":31467180364,"sku":"9781877015052","price":27.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/SYDNEY_ARCHITECTURE.png?v=1755050954"},{"product_id":"dismantled","title":"Dismantled","description":"\u003cp\u003e\u003cstrong\u003eDismantled\u003c\/strong\u003e traces Eduardo Kairuz's practice across the fault lines of architecture and art, using the conventions of classical music as a structural metaphor for the collapse of visual and spatial order — and what survives it.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eEduardo Kairuz is not an architect who makes art, nor an artist who borrows from architecture. His practice moves fluidly between both disciplines, shaped by his early work on a rehabilitation project in Barrio San Miguel de La Vega — one of the most violent slums in the southern hemisphere — and by wider observations of crisis and dislocation across Latin America. \u003cem\u003eDismantled\u003c\/em\u003e documents the exhibitions \u003cem\u003eDismantled\u003c\/em\u003e (Caracas, 2014) and \u003cem\u003eVariations\u003c\/em\u003e (Melbourne, 2012), in which Kairuz systematically dismantles the conventions of classical music as an analogue for systems of spatial and visual authority. The result is a body of work preoccupied with tension, collapse, and the resilience that emerges in the aftermath. Designed in close collaboration with multi-award winning typographer and multidisciplinary designer John Warwicker, the book's visual language enacts the same dynamic it documents.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e280 pages of artist's documentation, critical essays, and typographically driven design responding to Kairuz's practice\u003c\/li\u003e\n\u003cli\u003eEssays by Sandra Kaji-O'Grady, Costanza De Rogatis, Eduardo Kairuz, Karina Sainz Borgo, and Sam Spurr\u003c\/li\u003e\n\u003cli\u003eFollows the exhibitions \u003cem\u003eDismantled\u003c\/em\u003e at Centro Cultural Chacao, Caracas, and \u003cem\u003eVariations\u003c\/em\u003e at The Substation, Melbourne\u003c\/li\u003e\n\u003cli\u003eBook design by John Warwicker\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow classical music's hierarchies of discipline and authority function as a structural metaphor for spatial and visual order — and how Kairuz dismantles both\u003c\/li\u003e\n\u003cli\u003eThe role of lived experience in Latin American urban crisis — specifically Kairuz's work in Barrio San Miguel de La Vega — as a generative force within his creative and research practice\u003c\/li\u003e\n\u003cli\u003eSandra Kaji-O'Grady's critical framing of Kairuz as an inventor of \"artifactual fictions\" rather than a pursuer of architectural truth\u003c\/li\u003e\n\u003cli\u003eJohn Warwicker's typographic design methodology, which mirrors the tension between control and dissonance running through Kairuz's work\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eEduardo Kairuz studied architecture at Universidad Central de Venezuela before working on a rehabilitation project in Barrio San Miguel de La Vega. His research and creative practice explores the disrupting effects of crisis, conflict, and dislocation on architecture and the city, and his work has been exhibited across Australia, Asia, Europe, the United States, and South America. The book also features critical texts by Sandra Kaji-O'Grady, Costanza De Rogatis, Karina Sainz Borgo, and Sam Spurr.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 280\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 150 x 240 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994269744\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2016\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and designers interested in the intersection of spatial practice and visual art; readers drawn to Latin American urbanism, critical theory, and the aesthetics of collapse and resilience.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":31468099852,"sku":"9780994269744","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Dismantled.jpg?v=1623916210"},{"product_id":"basics-fundamentals-of-presentation-technical-drawing","title":"Basics: Technical Drawing","description":"\u003cp\u003e\u003cstrong\u003eBasics Technical Drawing\u003c\/strong\u003e walks architecture students through the conventions and construction of technical drawings, from site plans and preliminary sketches through to design and detail documentation — the foundational literacy of professional practice.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eTechnical drawing is the shared language of architecture: without fluency in it, ideas remain unbuilt. This volume in the Basics series addresses that fluency directly, covering every phase of a project's graphic representation. It moves systematically through plan types — site plans, preliminary drawings, design drawings, and detail plans — and unpacks the components architects rely on daily: floor plans, sections, elevations, and details. Line weight, dimensioning, hatching, symbology, text use, and plan compilation are each treated with the methodical clarity that students need when building these skills from the ground up. A compact, practical reference for anyone learning the grammar of architectural drawing.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e76 pages of structured instruction covering plan types, drawing components, line conventions, dimensioning, hatching, and symbols\u003c\/li\u003e\n\u003cli\u003eEdited by Bert Bielefeld and Isabella Skiba\u003c\/li\u003e\n\u003cli\u003ePublished by Birkhauser, ISBN: 9783034613262\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow to methodically construct and develop technical drawings across all project phases\u003c\/li\u003e\n\u003cli\u003eThe distinctions between plan types — site plan, preliminary drawing, design plan, and detail plan — and when each applies\u003c\/li\u003e\n\u003cli\u003eThe role of line width, hatching, dimensioning, and symbols in communicating design intent with precision\u003c\/li\u003e\n\u003cli\u003eHow to compile and present plans coherently as a complete, legible document set\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 76\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 155 x 220 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783034613262\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Birkhauser\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architecture students learning technical drawing fundamentals, educators building studio curricula, and early-career practitioners consolidating documentation standards.\u003c\/p\u003e","brand":"Birkhauser","offers":[{"title":"Default Title","offer_id":31916995852,"sku":"9783034613262","price":39.96,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Basics-Technical-Drawing.png?v=1755049667"},{"product_id":"case-study-houses","title":"Case Study Houses","description":"\u003cp\u003e\u003cstrong\u003eCase Study Houses\u003c\/strong\u003e by Elizabeth A.T. Smith documents the full span of the 1945–1966 program that charged America's leading modernist architects with rethinking the postwar home — a compact guide to one of the most consequential experiments in twentieth-century residential architecture.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eBetween 1945 and 1966, \u003cem\u003eArts \u0026amp; Architecture\u003c\/em\u003e magazine sponsored 36 prototype homes in the Los Angeles area, commissioning architects including Richard Neutra, Charles and Ray Eames, Pierre Koenig, and Eero Saarinen to demonstrate that modernist design principles could produce housing that was both replicable and affordable. The Case Study House program sits at the intersection of social ambition and architectural experimentation, demanding the use of war-born industrial materials and techniques in the service of everyday domestic life. Its influence travelled well beyond California, reshaping ideas about the modern home across the United States and internationally. This compact Taschen volume covers all 36 houses with over 150 photographs, plans, and a site map that includes locations no longer standing.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e96 pages of photographs and architectural plans covering all 36 Case Study Houses\u003c\/li\u003e\n\u003cli\u003eWritten by Elizabeth A.T. Smith\u003c\/li\u003e\n\u003cli\u003eHouses by Richard Neutra, Raphael Soriano, Craig Ellwood, Charles and Ray Eames, Pierre Koenig, Eero Saarinen, A. Quincy Jones, and Ralph Rapson, among others\u003c\/li\u003e\n\u003cli\u003eIncludes a map of all site locations, including those that no longer exist\u003c\/li\u003e\n\u003cli\u003ePublished by Taschen, ISBN 9783836535601\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow the Case Study program used war-surplus industrial materials and techniques as the basis for a new domestic architecture accessible to the average American\u003c\/li\u003e\n\u003cli\u003eThe architectural and spatial strategies — open, multipurpose floor plans; standardised construction — that made these prototype homes influential far beyond Los Angeles\u003c\/li\u003e\n\u003cli\u003eThe range of design approaches across 36 houses, from Neutra's refined steel-frame structures to the Eames House's distinctive prefabricated aesthetic\u003c\/li\u003e\n\u003cli\u003eThe program's legacy in redefining the modern home and its ongoing relevance to debates about affordable, replicable residential design\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eElizabeth A.T. Smith is a curator and architectural historian with specialist expertise in postwar American modernism and the Case Study House program. Further biographical details are not provided in the source materials.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 96\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 210 x 260 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783836535601\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Taschen\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects, architectural historians, and design students with an interest in postwar modernism, residential design, and the social history of American architecture.\u003c\/p\u003e","brand":"Taschen","offers":[{"title":"Default Title","offer_id":33429624460,"sku":"9783836535601","price":39.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Case-Study-Houses.png?v=1624607081"},{"product_id":"eames","title":"Eames","description":"\u003cp\u003e\u003cstrong\u003eEames\u003c\/strong\u003e by Gloria Koenig traces the full creative range of Charles and Ray Eames — from moulded plywood furniture to experimental film — mapping a partnership that redefined the visual and material culture of postwar America in under 100 pages.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eCharles Eames (1907–1978) and Ray Kaiser Eames (1912–1988) are among the most consequential designers of the twentieth century, yet their influence extends well beyond the iconic chairs that bear their name. This concise Taschen monograph moves across furniture, architecture, textile design, photography, and film to present the Eames practice as a genuinely multidisciplinary project. Their contribution to the Case Study House program demonstrated how industrial materials could produce domestic architecture of lasting intelligence, while works such as the short film \u003cstrong\u003ePowers of Ten\u003c\/strong\u003e reveal a curiosity that refused disciplinary boundaries. For students and practitioners seeking a precise entry point into modernist design history, this volume is a focused and visually rich resource.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e96 pages of illustrated design history spanning furniture, architecture, textile, photography, and film\u003c\/li\u003e\n\u003cli\u003eWritten by Gloria Koenig\u003c\/li\u003e\n\u003cli\u003eCase studies include the Eames Lounge Chair Wood and the couple's Case Study House\u003c\/li\u003e\n\u003cli\u003ePublished by Taschen, 1988\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow moulded plywood technology shaped the Eames Lounge Chair Wood into a defining furniture object of the twentieth century\u003c\/li\u003e\n\u003cli\u003eThe Eames contribution to the Case Study House program — their inventive use of industrial materials and the adaptable, multipurpose floor plans that became a hallmark of postwar modernism\u003c\/li\u003e\n\u003cli\u003eThe breadth of the Eames practice beyond furniture: their parallel work in textile design, photography, and experimental film\u003c\/li\u003e\n\u003cli\u003eHow the integration of craft, design, and modern materials such as plywood and plastics produced a new modernity accessible to middle-class American life\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eGloria Koenig is the author of this monograph on Charles and Ray Eames, published as part of Taschen's design series. Further biographical details are not provided in the source materials.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 96\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 210 x 260 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783836560214\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Taschen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 1988\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architecture and design students, furniture collectors, and practitioners with an interest in postwar modernism and the history of industrial design.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DRi822QkuxP\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https:\/\/www.instagram.com\/p\/DRi822QkuxP\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewbox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-top: 8px;\"\u003e \u003cdiv style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c\/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c\/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/DRi822QkuxP\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/blockquote\u003e","brand":"Taschen","offers":[{"title":"Default Title","offer_id":33559855116,"sku":"9783836560214","price":39.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/eames-9783836560214.jpg?v=1659593309"},{"product_id":"bauhaus","title":"Bauhaus","description":"\u003cp\u003e\u003cstrong\u003eBauhaus\u003c\/strong\u003e by Magdalena Droste charts the fourteen-year history of Germany's most transformative school of art and design, whose fusion of fine art, craft, and technology — across disciplines from textiles to theatre — permanently altered the course of modernism.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eFounded by Walter Gropius in 1919 and shuttered under political pressure in 1933, the Bauhaus existed briefly but with extraordinary consequence. Moving through three cities — Weimar, Dessau, and Berlin — the school gathered some of the 20th century's most significant creative figures: Josef and Anni Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer, Gunta Stölzl, Marianne Brandt, and Ludwig Mies van der Rohe. Magdalena Droste's account captures both the institutional ambition and the intensely personal community at its core — a place united by utopian idealism and a belief in the Gesamtkunstwerk, the total work of art. For students of design history, modernism, and art education, this volume is an authoritative and compact entry point.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e96 pages covering the Bauhaus across painting, sculpture, design, architecture, film, photography, textiles, ceramics, theatre, and installation\u003c\/li\u003e\n\u003cli\u003eAuthor: Magdalena Droste\u003c\/li\u003e\n\u003cli\u003eCovers key figures including Walter Gropius, Wassily Kandinsky, Paul Klee, Mies van der Rohe, and Marianne Brandt\u003c\/li\u003e\n\u003cli\u003ePublished by Taschen, ISBN: 9783836560146\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow the Bauhaus synthesised fine art, craft, and industrial technology into a new model for design education that still resonates today\u003c\/li\u003e\n\u003cli\u003eThe distinct creative cultures that emerged across the school's three successive locations in Weimar, Dessau, and Berlin\u003c\/li\u003e\n\u003cli\u003eThe individual contributions of the school's most influential members, from Kandinsky's painting theory to Brandt's metalwork and Stölzl's textile practice\u003c\/li\u003e\n\u003cli\u003eWhy the Bauhaus endures as both a modernist landmark and a paradigm for interdisciplinary, freedom-centred art education\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eMagdalena Droste is a German art historian and one of the foremost scholarly authorities on the Bauhaus. Her research has shaped the academic understanding of the school's history, pedagogy, and lasting influence on modern design.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 96\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 210 x 260 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783836560146\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Taschen\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Design historians, architecture and art students, and anyone seeking a rigorous yet accessible account of the Bauhaus movement and its foundational role in shaping 20th-century modernism.\u003c\/p\u003e","brand":"Taschen","offers":[{"title":"Default Title","offer_id":33562553868,"sku":"9783836560146","price":39.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Bauhaus.jpg?v=1631237698"},{"product_id":"wright","title":"Wright","description":"\u003cp\u003e\u003cstrong\u003eWright\u003c\/strong\u003e by Bruce Brooks Pfeiffer traces Frank Lloyd Wright's ambition to give American life its architectural equivalent — from Prairie Houses and suburban homes to the Guggenheim Museum — through the lens of his philosophy of organic architecture.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eCompact but substantive, this Taschen volume surveys the full arc of Frank Lloyd Wright's career, positioning his work not simply as formal innovation but as a sustained cultural project. Wright believed architecture could embody and elevate middle-class American life, and that conviction shaped everything from his use of industrial materials to his obsessive control over interior elements including furniture and stained glass. The concept of organic architecture — harmony between structure, humanity, and environment — found its clearest expression at Fallingwater, cited by the American Institute of Architects as the finest work of American architecture ever built. For readers new to Wright or seeking a precise critical introduction, this is a focused and well-illustrated entry point.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e96 pages of illustrated survey spanning Wright's residential, civic, and commercial work\u003c\/li\u003e\n\u003cli\u003eWritten by Bruce Brooks Pfeiffer\u003c\/li\u003e\n\u003cli\u003eCase studies include Fallingwater and the Guggenheim Museum\u003c\/li\u003e\n\u003cli\u003ePublished by Taschen\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Wright's philosophy of organic architecture shaped not only building form but site, materiality, and interior design as a unified whole\u003c\/li\u003e\n\u003cli\u003eThe influence of the Prairie House plan — the simple L or T configuration — on rural domestic architecture across America\u003c\/li\u003e\n\u003cli\u003eWright's engagement with industrial materials and how it distinguished his work from contemporaries working in more traditional modes\u003c\/li\u003e\n\u003cli\u003eThe tension and balance in his practice between individual domestic needs and the broader ambitions of community and civic life\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eBruce Brooks Pfeiffer is a recognised authority on Frank Lloyd Wright, with extensive scholarly work dedicated to Wright's life, buildings, and archives.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 96\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 210mm x 260mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783836560498\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Taschen\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architecture students seeking a focused introduction to Wright's organic architecture, design enthusiasts drawn to American modernism, and practitioners interested in the integration of structure, interior, and landscape.\u003c\/p\u003e","brand":"Taschen","offers":[{"title":"Default Title","offer_id":33568501580,"sku":"9783836560498","price":34.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/WRIGHT.png?v=1755051315"},{"product_id":"3-2-durbach-block-jaggers","title":"3+2: Durbach Block Jaggers","description":"\u003cp\u003e\u003cstrong\u003e3+2: Durbach Block Jaggers\u003c\/strong\u003e is a double-volume portrait of one of Australia's most respected architectural practices, shot by two photographers who deliberately sidestep the conventions of architectural photography to embody rather than illustrate the work.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eStructured as a 'double album' — two hardback books in a single slipcase — \u003cstrong\u003e3+2\u003c\/strong\u003e brings together distinct photographic bodies of work by Andrew Cowen and Julia Charles, each trained on selected projects by Sydney practice Durbach Block Jaggers. Neither photographer works habitually within the genre, and that distance from convention is the publication's defining strength. Rather than the standard suite of elevations and room-by-room wide-angles, the images pursue carved light, lustrous surfaces, and deep shadow. The result is a publication that treats photography as experience rather than documentation — a serious proposition for anyone interested in the relationship between architectural practice and its visual representation.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eTwo hardback volumes (130pp and 160pp) of non-conventional architectural photography\u003c\/li\u003e\n\u003cli\u003eEdited by Andrew Mackenzie; designed by Mark Gowing\u003c\/li\u003e\n\u003cli\u003eProjects include North Bondi Surf Life Saving Club, Holman House, and Tamarama House (photography by Andrew Cowen), plus two central Sydney urban projects (photography by Julia Charles)\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow photography can convey the sensory experience of architecture rather than serve as a record of its spatial sequence\u003c\/li\u003e\n\u003cli\u003eThe contrast between coastal Sydney and the dense urban centre as two distinct conditions for architectural response by Durbach Block Jaggers\u003c\/li\u003e\n\u003cli\u003eA collaborative editorial process between architects, photographers, designer, and editor developed over several years\u003c\/li\u003e\n\u003cli\u003eWhy work by a single practice can sustain two entirely different photographic approaches without contradiction\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eThis publication was edited by Andrew Mackenzie and designed by the award-winning Mark Gowing. 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Self-taught and deeply rooted in Japanese spatial tradition while remaining in rigorous dialogue with Modernism, he developed a building aesthetic unlike anything that preceded it. Critic Drew Philip described his buildings as land art that struggles to emerge from the earth — a characterisation that captures Ando's commitment to embedding architecture in its natural and cultural context. This volume surveys his work across private homes, churches, museums, apartment complexes, and cultural institutions in Japan, France, Italy, Spain, and the United States, offering a structured entry point into a career defined by material restraint and spatial intensity. 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This volume traces that conviction from 1906 to 1967 through projects in both Europe and America, including the Seagram Building and Farnsworth House — works that defined modernist architecture and, for critics, laid the groundwork for the generic glass-and-steel cityscape. Claire Zimmerman presents Mies's philosophy of pure form and proportion without hagiography, acknowledging the tensions his stripped-down aesthetic generated while examining why it continues to provoke and inspire architects, urban designers, and theorists in equal measure.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e96 pages of architectural documentation and photography covering projects from 1906 to 1967\u003c\/li\u003e\n\u003cli\u003eText by Claire Zimmerman\u003c\/li\u003e\n\u003cli\u003eNotable projects including the Seagram Building and Farnsworth House\u003c\/li\u003e\n\u003cli\u003eMore than 20 projects surveyed across Europe and America\u003c\/li\u003e\n\u003cli\u003ePublished by Taschen, ISBN: 9783836560429\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Mies's philosophy of underlying truth in pure form and proportion translated into built architecture across radically different contexts\u003c\/li\u003e\n\u003cli\u003eThe dual legacy of his work — celebrated as enduring elegance, criticised as the progenitor of bland, generic urbanism\u003c\/li\u003e\n\u003cli\u003eThe scope of his transatlantic influence, from European modernism to the reshaping of the American city\u003c\/li\u003e\n\u003cli\u003eHow contemporary material and technological developments enabled his pursuit of structural and spatial reduction\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eClaire Zimmerman is a scholar of modern architecture with particular expertise in the postwar period and the transatlantic exchange of architectural ideas. 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Her writing on Neutra engages closely with the built work and its relationship to modernist thought, landscape, and the social conditions of mid-century California living.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 96\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 260 x 210 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783836535960\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Taschen\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and designers drawn to mid-century modernism, students of residential architecture, and anyone interested in the relationship between built form and natural landscape.\u003c\/p\u003e","brand":"Taschen","offers":[{"title":"Default Title","offer_id":43931511756,"sku":"9783836535960","price":39.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Richard_Neutra.png?v=1639531754"},{"product_id":"basics-building-technology","title":"Basics: Building Technology","description":"\u003cp\u003e\u003cstrong\u003eBasics Building Technology\u003c\/strong\u003e maps the full landscape of building services — from room conditioning and water cycles to electro-planning and lighting design — equipping architects with the technical literacy their coordinating role demands.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eAs construction grows more technically complex, the architect's role as planning coordinator requires fluency across building systems that were once the exclusive domain of specialist engineers. \u003cstrong\u003eBasics Building Technology\u003c\/strong\u003e addresses this directly, providing a structured overview of the core installations and equipment found in contemporary buildings. Covering mechanical systems, water cycles, electro-planning, and lighting design, the book gives architecture students and practitioners a reliable reference for navigating building services integration. 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Mauro Baracco and Louise Wright have assembled 22 projects documented in full for the first time, reading Boyd not as a historical figure but as a contemporary thinker whose spatial ideas remain generative. For anyone working in or studying Australian architecture, this is both a reference and a provocation — a close reading of Boyd's body of work that draws a direct line to questions facing practice now.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e262 pages of comprehensive project documentation across 22 works by Robin Boyd, many recorded in full for the first time\u003c\/li\u003e\n\u003cli\u003eAuthors: Mauro Baracco and Louise Wright\u003c\/li\u003e\n\u003cli\u003ePublished by Routledge\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Boyd's conception of spatial continuity operates across 22 projects as a consistent and legible design principle\u003c\/li\u003e\n\u003cli\u003eThe relationship between Boyd's buildings and their specific landscape contexts — spatial dependency rather than formal imposition\u003c\/li\u003e\n\u003cli\u003eBoyd's positioning as an advocate for a distinctly Australian architectural voice, and what that advocacy meant in practice\u003c\/li\u003e\n\u003cli\u003eHow Boyd's spatial thinking connects to the work of contemporary Australian architects and to current questions in architectural design\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eMauro Baracco and Louise Wright are practising architects and directors of Baracco+Wright Architects. Their work as both practitioners and authors positions this study at the intersection of critical scholarship and active design practice.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 262\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 235 x 158 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781138600850\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Routledge\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Australian architecture students and practitioners, architectural historians, and designers interested in landscape-responsive spatial thinking and the legacy of Robin Boyd.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/C4hQ7Tgvoot\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https:\/\/www.instagram.com\/p\/C4hQ7Tgvoot\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewbox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-top: 8px;\"\u003e \u003cdiv style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c\/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c\/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/C4hQ7Tgvoot\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/blockquote\u003e","brand":"Taylor \u0026 Francis Group","offers":[{"title":"Default Title","offer_id":47880618508,"sku":"9781138600850","price":96.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Robin-Boyd-spatial-continuity.jpg?v=1624094316"},{"product_id":"women-in-architecture-1917-2017","title":"AA Women in Architecture 1917-2017","description":"\u003cp\u003e\u003cstrong\u003eAA Women in Architecture 1917–2017\u003c\/strong\u003e marks the centenary of the Architectural Association's admission of its first female students by recovering the stories of women who have shaped architectural practice and education across a century of professional life.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003ePublished to coincide with a centenary symposium, exhibition, and series of talks at the Architectural Association in London, this volume trains its attention on a history that has too often been marginal to the canon. It does not simply celebrate presence — it documents contribution. The women profiled here worked across architectural practice and education, and their inclusion in this record reframes what a complete history of the profession looks like. For historians, practitioners, and students invested in gender and architecture, this is a necessary corrective to a discipline still reckoning with its own exclusions.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e192 pages surveying women's contributions to architectural practice and education from 1917 to 2017\u003c\/li\u003e\n\u003cli\u003eEdited by Lynne Walker and Elizabeth Darling\u003c\/li\u003e\n\u003cli\u003ePublished by AA Publications, 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow the Architectural Association's admission of women in 1917 shaped the subsequent trajectory of female participation in the profession\u003c\/li\u003e\n\u003cli\u003eIndividual stories of women whose contributions to architectural practice have been historically under-documented\u003c\/li\u003e\n\u003cli\u003eThe parallel history of women's influence within architectural education, distinct from built practice\u003c\/li\u003e\n\u003cli\u003eHow a centenary moment became an occasion to reassess and rewrite professional memory\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eLynne Walker and Elizabeth Darling edited this volume together. Both are established scholars in the field of architectural history, with research interests that include gender, professional identity, and the built environment.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 192\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 300 x 200 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781907896910\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e AA Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2017\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architectural historians, practitioners and students interested in gender in architecture, and those researching the professional history of the Architectural Association.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/Cqwr-YEviop\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\"\u003e\n\u003cdiv style=\"padding: 16px;\"\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/p\/Cqwr-YEviop\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; width: 100%;\" target=\"_blank\"\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; align-items: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewbox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-top: 8px;\"\u003e\n\u003cdiv style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/Cqwr-YEviop\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"AA Publications","offers":[{"title":"Default Title","offer_id":329052618764,"sku":"9781907896910","price":64.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Women-in-Architecture-1917-2017.jpg?v=1755049428"},{"product_id":"el-croquis-232-smiljan-radic","title":"El Croquis 232: Smiljan Radic (2019–2025)","description":"\u003cp\u003e\u003cstrong\u003eEl Croquis 232: Smiljan Radic\u003c\/strong\u003e surveys six years of work by the Chilean architect Smiljan Radic, tracing a practice that moves between temporary pavilions, rural rehabilitations, urban buildings, and international competition proposals with striking formal consistency.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eThis monograph dedicates 325 pages to Smiljan Radic's studio output from 2019 to 2025, a period that spans geographies and building types without losing the architect's characteristically enigmatic sensibility. From the ephemeral \u003cem\u003eSky Bubble\u003c\/em\u003e pavilion in London to the rural conversion of the \u003cem\u003eChanchera\u003c\/em\u003e shed in Puerto Octay, and from Santiago's \u003cem\u003ePetty Bourgeois [Building]\u003c\/em\u003e to the winning \u003cem\u003eArtifact\u003c\/em\u003e proposal for the Montjuïc Fairground in Barcelona, the selection rewards close reading. A conversation between Radic and Christian Kerez — titled \"How to Carry the World on One's Back\" — anchors the theoretical register, while Enrique Walker's essay on the XXII Chilean Architecture and Urbanism Biennial pavilion adds critical depth. Essential reading for those tracking contemporary Latin American architecture and the broader discourse on material and landscape.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e325 pages of project documentation, drawings, and critical texts\u003c\/li\u003e\n\u003cli\u003eEdited by Fernando Marquez Cecilia and Richard Levene\u003c\/li\u003e\n\u003cli\u003eFeatured projects include Sky Bubble (London), Chanchera (Puerto Octay), Rupanco House (Cochagua), Petty Bourgeois [Building] (Santiago), Solo Hotel (Matarraña, Spain), and Artifact (Barcelona)\u003c\/li\u003e\n\u003cli\u003ePublished by El Croquis, 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Radic navigates the tension between temporality and permanence across projects as different as a London pavilion and a Spanish hotel\u003c\/li\u003e\n\u003cli\u003eThe role of rural and vernacular structures — such as the repurposed agricultural shed Chanchera — in shaping Radic's approach to rehabilitation and site\u003c\/li\u003e\n\u003cli\u003eA candid intellectual exchange between Radic and Swiss architect Christian Kerez that addresses questions of weight, presence, and the burden of building\u003c\/li\u003e\n\u003cli\u003eEnrique Walker's critical framing of Radic's contribution to the XXII Chilean Architecture and Urbanism Biennial, situating the work within a national and continental context\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eFernando Marquez Cecilia and Richard Levene are the editors of El Croquis, the Madrid-based architectural journal renowned for its in-depth monographic issues on leading international practices. Their editorial framework has shaped how successive generations engage with contemporary architecture through built work, drawing, and critical writing.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 325\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 340 x 245 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 978-8412823479\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e El Croquis\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and students with an interest in contemporary Chilean and Latin American practice, those following El Croquis's critical monograph series, and readers engaged with questions of materiality, landscape, and architectural temporality.\u003c\/p\u003e\n\u003cblockquote style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"14\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DVzZKRPk9vx\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-captioned=\"\" class=\"instagram-media\"\u003e\n\u003cdiv style=\"padding: 16px;\"\u003e\n\u003ca style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; width: 100%;\" href=\"https:\/\/www.instagram.com\/p\/DVzZKRPk9vx\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" target=\"_blank\"\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; align-items: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; 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font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/DVzZKRPk9vx\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"El Croquis","offers":[{"title":"Default Title","offer_id":1956689641484,"sku":"9788412823479","price":228.8,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/files\/01_Web_1024x1024_ff0eba5d-aa69-4773-8320-8da169c97d40.webp?v=1768527798"},{"product_id":"architecture-in-its-continuums","title":"Architecture in its Continuums","description":"\u003cp\u003e\u003cstrong\u003eArchitecture in its Continuums\u003c\/strong\u003e distils three decades of Leon van Schaik's thinking on architectural practice into a precise and quietly provocative argument: that spatial intelligence — the architect's particular skill in crafting space and light — is both undertheorised and urgently necessary.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eVan Schaik's premise is direct: most architecture writing addresses history, sociology, or environmental science, but very little concerns the actual practice of architecture itself. This book addresses that gap. Drawing on a lifetime of teaching and mentorship at RMIT University, van Schaik presents his philosophical framework through 21 hand-drawn ideograms that work in concert with the text — not as illustration but as argument. The result is a manifesto for spatial intelligence as a discipline with genuine stakes, one capable of connecting architecture to broader human experience. Winner of the Australian Book Designers Association Award for Best Designed Educational Tertiary Book in 2019, the book is itself a considered design object.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e144 pages combining written philosophy with 21 original hand-drawn ideograms by van Schaik\u003c\/li\u003e\n\u003cli\u003eForewords by Kate Heron, Professor of Architecture at University of Westminster, and Vivian Mitsogianni, Associate Dean of Architecture and Urban Design, RMIT\u003c\/li\u003e\n\u003cli\u003eBook design by Stuart Geddes; published in a paperback format with semi-opaque perspex cover\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eVan Schaik's argument that a shared human experience of space and light is the foundation from which architecture derives its capacity to connect with people\u003c\/li\u003e\n\u003cli\u003eHow 21 hand-drawn ideograms function as a parallel philosophical language, enriching and extending the written argument rather than merely decorating it\u003c\/li\u003e\n\u003cli\u003eA framework for understanding what venturous and innovative designers actually do — with implications for how design practice research is conducted and taught\u003c\/li\u003e\n\u003cli\u003eA model for architectural writing that addresses practice from the inside, distinct from the dominant modes of historical and sociological criticism\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eLeon van Schaik AO is Professor of Architecture at RMIT University, a position he has held since 1987, and holds the title of Innovation Chair of Design Practice Research. He studied at the Architectural Association in London and has spent three decades as a mentor to generations of Australian architects.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback with semi-opaque perspex cover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 144\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 240mm x 170mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994269799\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architecture academics, design educators, and practitioners interested in the philosophical foundations of spatial intelligence and the theory of architectural practice.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":2081912881164,"sku":"9780994269799","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Architecture-in-its-Continuums.jpg?v=1623845806"},{"product_id":"the-piano-mill","title":"The Piano Mill","description":"\u003cp\u003e\u003cstrong\u003eThe Piano Mill\u003c\/strong\u003e documents one of Australia's most extraordinary architectural propositions: a nine-metre copper-clad tower in the highlands between Stanthorpe and Tenterfield that functions simultaneously as building, instrument, and cultural monument.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003ePart architectural monograph, part cultural history, this book traces the creation of The Piano Mill — a structure housing 16 vintage pianos whose sound is shaped by manually operated external shutters controlling airflow. The audience stands outside, watching the inner mechanism through translucent windows while musicians perform within. Winner of the 2018 World Architecture Festival culture category, the project sits at an uncommon intersection of acoustic design, outback Australian history, and site-specific architecture. Through photographs and essays from the core collaborators, the book articulates how a building can be both instrument and institution — an ongoing site of music, memory, and place-specific artistic production.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e96 pages of documentary photography and essays by the project's core collaborators\u003c\/li\u003e\n\u003cli\u003eContributors: architect Bruce Wolfe, researcher Jocelyn Wolfe, composer Erik Griswold, and musician Vanessa Tomlinson\u003c\/li\u003e\n\u003cli\u003eDocuments the world premiere of \u003cem\u003eAll's Grist that Comes to the Mill\u003c\/em\u003e, a 50-minute work commissioned from Erik Griswold\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow the building's copper-clad exterior and manually operated shutters function as acoustic modulation devices, making architecture and instrument inseparable\u003c\/li\u003e\n\u003cli\u003eThe role of 16 vintage pianos as a single unified instrument distributed across the first floor and mezzanine of a raised timber internal structure\u003c\/li\u003e\n\u003cli\u003eThe creative and logistical process behind a genuinely interdisciplinary collaboration between architecture, musicology, and composition\u003c\/li\u003e\n\u003cli\u003eHow site — remote highland landscape, outback musical heritage — shaped every formal and programmatic decision in the project's development\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eBruce Wolfe is the architect behind The Piano Mill, a project developed in collaboration with researcher Jocelyn Wolfe, composer Erik Griswold, and musician Vanessa Tomlinson. The Piano Mill received national recognition for both its architectural and musical contributions.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 96\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 240mm x 225mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994396600\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and designers drawn to the intersection of building and performance, musicians and acousticians interested in instrument-as-architecture, and anyone invested in place-specific cultural practice in regional Australia.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":8131125313654,"sku":"9780994396600","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/The-Piano-Mill.jpg?v=1624097330"},{"product_id":"somewhere-other","title":"Somewhere Other: John Wardle Architects","description":"\u003cp\u003e\u003cstrong\u003eSomewhere Other\u003c\/strong\u003e documents John Wardle Architects' installation at the 2018 Venice Architecture Biennale, tracing the ideas — geometric, cultural, and material — that define one of Australia's most distinctive contemporary architectural practices.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eFar more than a Biennale catalogue, this publication uses the Venice installation as a lens through which to examine the broader design philosophy of John Wardle Architects. In a centrepiece essay, Wardle draws together seemingly disparate influences — geometry, Venetian glass-making, Australian modernist painting — to articulate the conceptual layers behind the pavilion. Alongside this, essays by Max Delany, Artistic Director of the Australian Centre for Contemporary Art, and Rory Hyde, Curator of Contemporary Architecture and Urbanism at the Victoria and Albert Museum, illuminate recurring motifs across JWA's recent projects: portals, thresholds, and framed views as instruments of architectural meaning. Photo essays take readers behind the scenes of the pavilion's construction and into the Murano glass studio where the installation's iconic red orb was formed. Shortlisted for the Cornish Family Prize for Art and Design Publishing, 2019.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e152 pages of essays, construction documentation, and photo essays covering the pavilion and related JWA works\u003c\/li\u003e\n\u003cli\u003eContributors: Max Delany (Australian Centre for Contemporary Art) and Rory Hyde (Victoria and Albert Museum)\u003c\/li\u003e\n\u003cli\u003eBehind-the-scenes documentation of contractors Jacaranda Industries, Tensys, and Derek John, and Murano glass masters\u003c\/li\u003e\n\u003cli\u003eWorks by optical artist Natasha Johns-Messenger and film-makers Coco and Maximilian explored in dedicated essays\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow John Wardle Architects uses portals, thresholds, and framed views as recurring spatial and conceptual devices across multiple projects\u003c\/li\u003e\n\u003cli\u003eThe cross-disciplinary thinking — spanning geometry, Venetian craft, and Australian modernist painting — that shaped the Venice pavilion\u003c\/li\u003e\n\u003cli\u003eThe material and fabrication processes behind the installation, from structural contractors through to the creation of a Murano glass orb\u003c\/li\u003e\n\u003cli\u003eHow commissioned artworks by Natasha Johns-Messenger and Coco and Maximilian were integrated into the installation's conceptual framework\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eJohn Wardle Architects (JWA) is recognised as one of Australia's foremost contemporary architectural practices. The studio contributed the centrepiece essay for this volume, in which John Wardle reflects on the inspiration, motivation, and processes behind the Biennale pavilion. Max Delany and Rory Hyde contribute additional critical essays, bringing perspectives from contemporary art and curatorial practice respectively.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 152\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 165 x 241 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994396631\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and designers interested in Australian contemporary practice, readers following the Venice Architecture Biennale, and those drawn to the intersection of architecture, craft, and commissioned art.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":12672719093878,"sku":"9780994396631","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Somewhere-Oher-John-Wardle-Architects-1.jpg?v=1624096624"},{"product_id":"made-of-concrete","title":"Made of Concrete","description":"\u003cp\u003e\u003cstrong\u003eMade of Concrete\u003c\/strong\u003e dissects 16 contemporary Swiss buildings through large-scale isometric drawings, making visible the technical and cultural decisions behind one of architecture's most demanding and versatile materials.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eConcrete is architecture's most consequential material — structurally exacting, aesthetically contested, and endlessly variable in application. This publication, grounded in research conducted at the Architecture Department of ETH Zurich, moves beyond admiration to analysis. Sixteen contemporary Swiss buildings are examined through detailed isometric drawings that reveal construction logic at a scale conventional photography cannot achieve. Images of construction processes, written accounts of building methods, and a systematic overview of envelope construction principles combine to give architects, engineers, and students an unusually precise understanding of how contemporary concrete architecture is actually assembled. 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The volume charts the school's engagement with architectural science, computer-aided design, and environmentally and socially sustainable design, reading these developments not as isolated milestones but as part of a broader story about how architects, designers, and planners are trained and what that training demands of them. A rare republication of Gough Whitlam's 1969 Leslie Wilkinson Lecture makes the book essential reading for anyone serious about the history of architecture and planning in Australia.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e193 pages of historical essays, institutional analysis, and primary archival material including a previously out-of-circulation lecture text\u003c\/li\u003e\n\u003cli\u003eEdited by Andrew Leach and Lee Stickells, with essays by Paul Jones, Simon Weir, Daniel J Ryan, Catherine Lassen and Julie Willis, Glen Hill, Duanfang Lu and Peter Webber, and Martin Tomitsch\u003c\/li\u003e\n\u003cli\u003eIncludes Gough Whitlam's 1969 Leslie Wilkinson Lecture, republished for the first time since its original University of Sydney Architecture Society publication\u003c\/li\u003e\n\u003cli\u003eDesigned by Michael Bojkowski\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow the Sydney School helped establish architectural science and computer-aided design as legitimate fields within Australian architectural education\u003c\/li\u003e\n\u003cli\u003eThe school's formative influence on environmentally and socially sustainable design thinking in Australia\u003c\/li\u003e\n\u003cli\u003eGough Whitlam's vision of Australia as \"An Urban Nation\" — a significant primary document in the history of Australian urbanism and planning policy\u003c\/li\u003e\n\u003cli\u003eHow the specificities of one institution's history reflect wider shifts in the education of architects, designers, and planners across the discipline\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eAndrew Leach and Lee Stickells are the editors of this volume and contributors to its scholarly content. The book also draws on contributions from a range of academics and historians whose work spans architectural history, planning, and design education in Australia.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 193\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 216 x 280 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994396655\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and educators with an interest in Australian architectural history, students and academics in architecture and urban planning, and anyone tracing the development of sustainable and computational design thinking in Australia.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":29382835372150,"sku":"9780648435563","price":90.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Sydney-School-Formative-Moments-in-Architecture-Design-and-Planning-at-the-University-of-Sydney.jpg?v=1628038172"},{"product_id":"pet-tecture-design-for-pets","title":"Pet-tecture: Design for Pets","description":"\u003cp\u003e\u003cstrong\u003ePet-tecture: Design for Pets\u003c\/strong\u003e surveys hundreds of objects and dwellings designed for animals by some of the world's most recognised architects and designers — proof that serious design thinking extends well beyond the human occupant.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eWhat happens when Kengo Kuma designs a cat house, or Shigeru Ban turns his attention to a pet dwelling? \u003cstrong\u003ePet-tecture\u003c\/strong\u003e answers that question with a wide-ranging survey of animal-centred design produced by leading names in global architecture. Compiled by Tom Wainwright and published by Phaidon, the book moves across species — cats, dogs, birds, rabbits, horses, fish, mice, guinea pigs, even kangaroos and turtles — and across typologies, from concrete dog homes and luxury chicken coops to 3D-printed fish tanks. It is an unexpected lens through which to examine how designers approach scale, materiality, and the particular needs of a non-human user.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e288 pages of photography and design documentation spanning hundreds of animal-centred projects\u003c\/li\u003e\n\u003cli\u003eAuthored by Tom Wainwright\u003c\/li\u003e\n\u003cli\u003eIncludes works by Nendo, Kenya Hara, Sou Fujimoto, MAD Architects, Kengo Kuma, and Shigeru Ban\u003c\/li\u003e\n\u003cli\u003ePublished by Phaidon, ISBN 9780714876672\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow leading architects translate their design languages into objects and structures scaled for non-human inhabitants\u003c\/li\u003e\n\u003cli\u003eThe full spectrum of animal-centred typologies, from playful cat trees and dog-shaped scratchers to concrete kennels and 3D-printed aquariums\u003c\/li\u003e\n\u003cli\u003eThe intersection of luxury, craft, and function in purpose-built animal architecture — including high-end chicken coops and bespoke equestrian structures\u003c\/li\u003e\n\u003cli\u003eA cross-species survey that reveals how material choices and spatial thinking shift when the end user cannot articulate its own brief\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 288\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 184 x 124 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780714876672\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Phaidon\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Design-conscious pet owners, architecture enthusiasts curious about non-human-centred design, and anyone interested in how major designers approach briefs outside conventional architectural practice.\u003c\/p\u003e\n\u003cblockquote style=\"background: #FFF; 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font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/C-eWDvJSxjw\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"Phaidon Press","offers":[{"title":"Default Title","offer_id":22053376786550,"sku":"9780714876672","price":29.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Pet-tecture.jpg?v=1648086777"},{"product_id":"angelo-candalepas-australian-islamic-mission","title":"Angelo Candalepas: Australian Islamic Mission","description":"\u003cp\u003e\u003cstrong\u003eAngelo Candalepas: Australian Islamic Mission\u003c\/strong\u003e documents the Punchbowl Mosque in Western Sydney — winner of the 2018 Sulman Medal for Public Architecture — through four distinct written perspectives spanning faith, architecture, culture, and engineering.\u003c\/p\u003e\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eThe Punchbowl Mosque is a rare thing: a purpose-built, architect-designed place of worship that has earned recognition from both the Australian architectural establishment and international bodies including the RIBA. Designed by Angelo Candalepas and Associates for the Australian Islamic Mission, the project represents a sustained act of cross-cultural collaboration. This monograph resists the conventions of the typical project book by presenting four distinct essays — each written from a different disciplinary position — that together build a portrait of a building that operates simultaneously as sacred space, community act, and structural achievement. Essential reading for architects, academics, and anyone engaged with the intersection of contemporary design and religious architecture in Australia.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e74 pages of project photography, architectural documentation, and critical essays on the Punchbowl Mosque\u003c\/li\u003e\n\u003cli\u003eEssays by Angelo Candalepas, Adrian Curtin, Dr Zachariah Matthews, and Maryam Gusheh\u003c\/li\u003e\n\u003cli\u003eDesign by Mark Gowing\u003c\/li\u003e\n\u003cli\u003eFeatures the Punchbowl Mosque, winner of the 2018 Sulman Medal for Public Architecture\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAngelo Candalepas's own account of the phenomenological intentions behind the mosque — and his argument that sacred architecture can move people regardless of their religious beliefs\u003c\/li\u003e\n\u003cli\u003eAdrian Curtin's technical breakdown of the bespoke concrete engineering used to construct the mosque's 102 quarter-spherical \u003cem\u003emuqarnas\u003c\/em\u003e, presented as a practical guide for other practitioners\u003c\/li\u003e\n\u003cli\u003eDr Zachariah Matthews's account of the Australian Islamic Mission's design brief and the community mobilisation that made construction possible\u003c\/li\u003e\n\u003cli\u003eMaryam Gusheh's critical essay situating the mosque as a form of contemporary cultural expression for Sydney's Muslim community, drawing on both personal response and architectural criticism\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eAngelo Candalepas is the principal of Candalepas Associates, the Sydney-based practice behind the Punchbowl Mosque. The book also features contributions from Adrian Curtin, Senior Associate at Candalepas Associates; Dr Zachariah Matthews, Vice-President of the Australian Islamic Mission; and Maryam Gusheh, Associate Professor in Architectural Studies at UNSW.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 74\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 260 x 330 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994396648\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and students interested in contemporary religious architecture, academics working in architectural criticism or cultural studies, and readers engaged with the built expression of faith communities in Australia.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":22081646690422,"sku":"9780994396648","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Angelo-Candalepas-Austraian-Islamic-Mission.jpg?v=1623850544"},{"product_id":"god-in-reverse","title":"God in Reverse: Art, Architecture and Consciousness","description":"\u003cp\u003e\u003cstrong\u003eGod in Reverse: Art, Architecture and Consciousness\u003c\/strong\u003e is the monograph that Sydney's architecture culture has needed — a four-decade account of Richard Goodwin's practice that refuses the conventions of the form, fusing biography, fiction, criticism, and provocation into a single restless document.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eWhere most architect monographs present a curated career, \u003cstrong\u003eGod in Reverse\u003c\/strong\u003e dismantles the genre entirely. Authored and illustrated by Goodwin himself, the book moves between lambasting the commercial opportunism of Barangaroo, meditations on Jerusalem's divided urbanism, and lessons in urban density drawn from coral reefs. It is at once a record of public artworks, sculpture, drawings, and performance art, and a sustained argument about what architecture owes the city. Jeremy Till has called it an act of \"tough love\" toward Sydney — a reckoning with financialised space written by someone who has spent decades inside it. Designed by Sean Hogan, the layout itself slowly destabilises as you read, making the book's form inseparable from its content.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e264 pages of archival photography, recent artwork, and critical text spanning four decades of practice\u003c\/li\u003e\n\u003cli\u003eDesigned by Sean Hogan; illustrated throughout by Richard Goodwin\u003c\/li\u003e\n\u003cli\u003eEngages directly with Sydney urbanism, Barangaroo, Jerusalem, and high-density housing\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow financialised urban development has reshaped Sydney — and what an architect-activist makes of it\u003c\/li\u003e\n\u003cli\u003eThe philosophical and cultural influences underpinning Goodwin's interdisciplinary practice across architecture, sculpture, public art, and performance\u003c\/li\u003e\n\u003cli\u003eA book design that enacts its argument: Sean Hogan's layout progressively discombobulates as the text grows more radical\u003c\/li\u003e\n\u003cli\u003eThe ethical dimensions of urbanism — from drone warfare to super-high-density housing — treated not as sidebar but as central architectural concern\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eRichard Goodwin is a Professor at the University of New South Wales Art \u0026amp; Design, where he also holds a PhD. He has practised as an artist, architect, and urban activist since the 1970s, and his work is held in the collections of the Art Gallery of New South Wales, the National Gallery of Victoria, and the Nuremburg Museum. He was awarded the Wynne Prize by the Art Gallery of NSW in 2011.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 264\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 250 x 340 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994396662\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and urbanists invested in Sydney's built environment, artists working across disciplines, academics in architecture theory and urban criticism, and readers who want a monograph that argues rather than simply documents.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":22210857173110,"sku":"9780994396662","price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/God-In-Reverse-Richard-Goodwin.jpg?v=1624095270"},{"product_id":"social-housing-definitions-and-design-exemplars","title":"Social Housing - Definitions and Design Exemplars","description":"\u003cp\u003e\u003cstrong\u003eSocial Housing: Definitions and Design Exemplars\u003c\/strong\u003e maps 24 of the most compelling public housing projects across the UK and Europe, making the case — through built evidence — that alternatives to market-driven provision are not only possible but essential.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eBorn from two years of studio research, this book arrives at a critical moment for the social housing sector. Karakusevic and Batchelor deliberately resist a single definition of social housing, instead presenting a deliberately diverse field: local authority schemes, philanthropic projects, and resident-led collectives. What unites them is a rejection of the purely market-orientated model. The result is a practical and polemical resource — one that examines new housing typologies, refurbishment strategies, and emerging design approaches, while asking housing professionals, architects, and students to seriously reconsider how affordable residential architecture is conceived, procured, and built in our cities.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e176 pages of case study documentation, design analysis, and exclusive interviews across 24 exemplary projects\u003c\/li\u003e\n\u003cli\u003eCo-authored by Paul Karakusevic and Abigail Batchelor\u003c\/li\u003e\n\u003cli\u003eInterviews with Neave Brown (Royal Gold Medallist), Finn Williams (GLA), Anne Lacaton (Lacaton \u0026amp; Vassal), and Professor Mark Brearley (London Metropolitan University)\u003c\/li\u003e\n\u003cli\u003e24 featured projects drawn from the UK and Europe\u003c\/li\u003e\n\u003cli\u003ePublished by RIBA Publishing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow the absence of a shared European definition of social housing has produced a productive plurality of procurement models — and what architects can learn from each\u003c\/li\u003e\n\u003cli\u003eRefurbishment strategies that extend and transform existing public housing stock, challenging the default preference for demolition and rebuild\u003c\/li\u003e\n\u003cli\u003eThe role of client-side processes in achieving design excellence in low-cost housing, and why procurement matters as much as design intent\u003c\/li\u003e\n\u003cli\u003ePerspectives from key sector figures — including post-war architect Neave Brown and Anne Lacaton — on the historical context and future direction of public housing in Europe\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003ePaul Karakusevic is an architect with a sustained practice focus on public and social housing in the UK. Abigail Batchelor co-led the research underpinning this publication alongside Karakusevic, and together they bring both design expertise and sector-level advocacy to the subject.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 176\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 290 x 200mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781859466261\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e RIBA Publishing\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Housing architects, urban designers, local authority planning and housing teams, postgraduate students in architecture and urban policy, and anyone working at the intersection of design quality and affordable housing delivery.\u003c\/p\u003e","brand":"Taylor \u0026 Francis Group","offers":[{"title":"Default Title","offer_id":22331427061878,"sku":"9781859466261","price":98.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Social-housing-definitions-and-design-exemplars.jpg?v=1624094319"},{"product_id":"x-ray-architecture-beatriz-colomina","title":"X-Ray Architecture","description":"\u003cp\u003e\u003cstrong\u003eX-Ray Architecture\u003c\/strong\u003e by Beatriz Colomina reframes early twentieth-century modernism through a single provocative thesis: that tuberculosis and the diagnostic X-ray did not merely coincide with modern architecture — they shaped it from the inside out.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eColomina's argument is precise and unsettling. Modern architecture's obsession with light, transparency, and hygiene was not aesthetic preference but medical anxiety — a built response to the dominant illness of its era. The X-ray, which made the body's interior visible for the first time, has a structural parallel in the modern building's inversion of public and private space: walls opened up, interiors exposed, the domestic body placed under a kind of architectural surveillance. 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Her scholarship maps the intersections of architecture with art, media, sexuality, and health, establishing her as one of the most influential theorists working across architectural history and cultural studies.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 200\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 240 x 165mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783037784433\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Lars Müller Publishers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architectural historians, theorists, and design students with an interest in the cultural and medical conditions that produced modernism's spatial and aesthetic preoccupations.\u003c\/p\u003e","brand":"Lars Muller Publishers","offers":[{"title":"Default Title","offer_id":22597294162038,"sku":"9783037784433","price":79.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/X-ray-architecture-beatriz-colomina.jpg?v=1755051317"},{"product_id":"terroir-instruments","title":"Terroir: Instruments","description":"\u003cp\u003e\u003cstrong\u003eTerroir: Instruments\u003c\/strong\u003e reframes architecture not as the production of objects but as the orchestration of relationships — between people and place, choreography and wonder, the physical and the psycho-spatial.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eWhere much architectural discourse fixates on the material qualities of the built object, \u003cem\u003eInstruments\u003c\/em\u003e turns its attention elsewhere: to the less visible, equally consequential ways architecture mediates our connection to place. 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Essential reading for architects and theorists concerned with place-making, phenomenology, and the ethics of spatial practice.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e196 pages of essays, interviews, and design research exploring choreography, wonder, and place\u003c\/li\u003e\n\u003cli\u003eEssays by Slavoj Žižek (Slovenian philosopher and sociologist) and David A Garcia (founding director of MAP Architects, Copenhagen); interview between philosopher and architectural writer Andrew Benjamin and TERROIR founding director Gerard Reinmuth\u003c\/li\u003e\n\u003cli\u003eFirst publication in an ongoing series dedicated to the work of TERROIR\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow TERROIR's origins in Tasmania — shaped by the landscape and the political tensions of a society divided along environmental lines — inform a practice-wide approach to architecture and place\u003c\/li\u003e\n\u003cli\u003eThe concept of the \"instrument\" as a disciplinary counter to the Instagram age, where architecture risks being reduced from object to image\u003c\/li\u003e\n\u003cli\u003eA sustained argument for shifting architecture's focus from typological object-making to the formation and reformation of relationships between people and the spaces they inhabit\u003c\/li\u003e\n\u003cli\u003eThe role of choreography and psycho-spatial wonder as legitimate and underexamined architectural strategies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eAndrew Benjamin is a philosopher and architectural writer whose work spans continental philosophy and design theory. He appears in this volume in conversation with TERROIR founding director Gerard Reinmuth. Additional contributors include Slavoj Žižek and David A Garcia, founding director of MAP Architects in Copenhagen.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 196\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 178 x 254 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994396679\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and designers engaged with place-making theory, students of architectural phenomenology, and readers interested in how philosophy intersects with spatial practice\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":22663326630006,"sku":"9780994396679","price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Terroir-Instruments.jpg?v=1624094672"},{"product_id":"terroir-third-spaces","title":"Terroir: Third Spaces","description":"\u003cp\u003e\u003cstrong\u003eThird Spaces\u003c\/strong\u003e documents TERROIR's design strategy for spaces that resist a project's functional brief — pockets of urban openness carved out against the logics of capital and programmatic efficiency, argued through built work and critical theory.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eLarge projects reshape the public domain whether or not they intend to. TERROIR's response to this reality is the Third Space: elements of a project that sit outside the brief, sometimes against its functional logic, designed in the interests of urban generosity and civic engagement. This second volume in a series on the Sydney, Hobart and Copenhagen-based practice structures its argument through a conceptual framework, then moves through TERROIR's own projects alongside key international works. The book draws on architectural theory, philosophy, and built precedent to make a case for architecture as a counter-measure to capital — a position that carries particular weight coming from a practice shaped by Tasmania's contested environmental politics.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e176 pages of project photography, drawings, and critical essays on public space and urban design\u003c\/li\u003e\n\u003cli\u003eEssays by John Hong (professor at Seoul National University and director of Project: Architecture) and philosopher and architectural writer Andrew Benjamin on the intersection of Walter Benjamin and architecture\u003c\/li\u003e\n\u003cli\u003eReference projects by Bernard Tschumi, Steven Holl, James Stirling, and Carmody Groarke\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow TERROIR defines and deploys the Third Space as a deliberate counter-strategy to the capital-driven logics that govern large architectural commissions\u003c\/li\u003e\n\u003cli\u003eThe influence of Tasmanian landscape and environmental political tensions on TERROIR's approach to public space and urban openness\u003c\/li\u003e\n\u003cli\u003eAndrew Benjamin's philosophical reading of Walter Benjamin in relation to architectural practice and the conditions of the contemporary city\u003c\/li\u003e\n\u003cli\u003eHow international precedents by Tschumi, Holl, Stirling, and Carmody Groarke illuminate and contextualise TERROIR's own spatial strategies\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eAndrew Benjamin is a philosopher and architectural writer whose essay in this volume examines the intersection of Walter Benjamin's thought and architectural practice. The book also features an essay by John Hong, professor at Seoul National University and director of Seoul-based practice Project: Architecture, alongside contributions from TERROIR co-founder Gerard Reinmuth. TERROIR was founded in 1999 by Gerard Reinmuth, Scott Balmforth, and Richard Blythe, and now operates from offices in Sydney, Hobart, and Copenhagen.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 176\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 178 x 254mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780648435532\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and urban designers engaged with public space theory, students of architectural practice and critical theory, and anyone interested in how built work can resist rather than reinforce the logics of capital.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":22663380074614,"sku":"9780648435532","price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Terroir-Third-Spaces.jpg?v=1624094895"},{"product_id":"learning-from-las-vegas-the-forgotten-symbolism-of-architectural-form","title":"Learning from Las Vegas: The Forgotten Symbolism of Architectural Form","description":"\u003cp\u003e\u003cstrong\u003eLearning from Las Vegas\u003c\/strong\u003e remains the definitive provocation against modernist architectural orthodoxy — the book that forced a profession to confront the symbolic language of the strip, the shed, and the sign as legitimate subjects of serious inquiry.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eWhen Venturi, Scott Brown, and Izenour published this study in 1972, they handed the architectural establishment an uncomfortable mirror. By taking Las Vegas seriously as an urban and architectural phenomenon, they dismantled the moral hierarchy that separated high design from popular taste. This revised edition retains Part I — the close analysis of the Las Vegas strip — and the essential Part II, \"Ugly and Ordinary Architecture, or the Decorated Shed,\" which extrapolates a broader theory of symbolism in architecture and the iconography of urban sprawl. Together, these two sections form the intellectual core of a text that fundamentally reoriented how architects understand ornament, communication, and the relationship between built form and the people who inhabit it.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e192 pages of architectural theory, urban analysis, and illustrated examination of the Las Vegas strip and decorated shed typology\u003c\/li\u003e\n\u003cli\u003eAuthors: Robert Venturi, Denise Scott Brown, Steven Izenour\u003c\/li\u003e\n\u003cli\u003eAdded preface by Denise Scott Brown and a bibliography of writings by and about the firm Venturi and Rauch\u003c\/li\u003e\n\u003cli\u003ePublished by MIT Press, 1977\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow the Las Vegas strip functions as a coherent architectural and symbolic system, legible on its own terms rather than as a failure of refinement\u003c\/li\u003e\n\u003cli\u003eThe distinction between the \"duck\" — a building that is its own symbol — and the \"decorated shed,\" where signage and ornament communicate independently of structure\u003c\/li\u003e\n\u003cli\u003eA sustained argument that architects' disregard for popular taste reflects professional immodesty rather than genuine cultural authority\u003c\/li\u003e\n\u003cli\u003eThe theoretical groundwork for postmodern architecture's engagement with iconography, commercial vernacular, and the semiotics of urban sprawl\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eRobert Venturi, Denise Scott Brown, and Steven Izenour were members of the architectural firm Venturi and Rauch, whose built work and theoretical writing collectively challenged the assumptions of late modernist practice. Scott Brown contributed an added preface to this revised edition, contextualising the work's reception and ongoing relevance.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 192\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 152 x 229mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780262720069\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e MIT Press\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 1977\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architecture students and practitioners engaging with postmodern theory, historians tracing the symbolic turn in twentieth-century design, and anyone seeking to understand how the built environment communicates meaning beyond form.\u003c\/p\u003e","brand":"MIT Press","offers":[{"title":"Default Title","offer_id":22675912327286,"sku":"9780262720069","price":69.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/learning-from-las-vegas-the-forgotten-symbolism-of-architectural-form-robert-venturi-denise-scott-brown-and-steven-izenour.png?v=1755050350"},{"product_id":"peter-zumthor-therme-vals","title":"Peter Zumthor – Therme Vals","description":"\u003cp\u003e\u003cstrong\u003ePeter Zumthor Therme Vals\u003c\/strong\u003e is the only book-length study of Zumthor's Swiss alpine spa — a building that became a touchstone of contemporary architecture — combining the architect's own sketches and plans with Hélène Binet's celebrated photography.\u003c\/p\u003e\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eBuilt into the sharp grade of an Alpine mountain slope, Therme Vals announced itself as an icon of contemporary architecture almost immediately after opening. Zumthor's insistence on locally quarried stone, grass-topped roofs that dissolve into Swiss meadow, and spaces calibrated to the elemental experience of bathing produced a building of rare conviction. This volume draws together Zumthor's own annotations on his design concept and construction process with an essay by architectural scholar Sigrid Hauser, who traces the spa's connections to mythology, ritual cleansing, and the idea of the sacred spring. For architects and serious design enthusiasts, it remains the definitive document of a singular work.\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e192 pages of Hélène Binet's architectural photography alongside original sketches, plans, and design annotations\u003c\/li\u003e\n\u003cli\u003eEssay by architectural scholar Sigrid Hauser; annotations by Peter Zumthor\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eZumthor's reasoning behind the use of locally quarried Vals quartzite, and how material specificity shaped the building's relationship to its Alpine site\u003c\/li\u003e\n\u003cli\u003eThe symbiotic logic connecting grass-topped roofs, mountain topography, and the architect's broader commitment to the essential over the decorative\u003c\/li\u003e\n\u003cli\u003eSigrid Hauser's cultural and mythological readings — linking the spa to archetypes of Artemis\/Diana, baptism, the mikvah, and the sacred spring\u003c\/li\u003e\n\u003cli\u003eHow a remote Swiss village was placed on the international architecture map, and what that says about the power of a singular, uncompromising built work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003ePeter Zumthor is a Swiss architect renowned for his exacting approach to materiality, atmosphere, and the phenomenological experience of space. His work is characterised by a disdain for unnecessary architectural gesture and a deep attentiveness to the sensory qualities of built form. Therme Vals stands as one of his most celebrated projects and a landmark of late twentieth-century architecture.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Hardcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 192\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 241 x 305mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9783858817044\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Scheidegger \u0026amp; Spiess\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2006\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and students drawn to tectonic rigour and phenomenological design, researchers working on Swiss modernism or materiality, and anyone seeking to understand how a single building can redefine a discipline's expectations.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" style=\"background: #FFF; 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flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/DVACvm3Evob\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"Scheidegger \u0026 Spiess","offers":[{"title":"Default Title","offer_id":29513353986166,"sku":"9783858817044","price":170.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Peter-zumthor-therme-vals.jpg?v=1624103448"}],"url":"https:\/\/bookshopbyuro.com\/collections\/architecture.oembed?page=25","provider":"Bookshop by Uro","version":"1.0","type":"link"}