{"title":"Cart add-ons","description":"\u0026lt;p\u0026gt;Internal collection. Feeds the cart add-on module via the \u0026lt;code\u0026gt;uro-addons\u0026lt;\/code\u0026gt; snippet. Auto-populates with in-stock Uro Publications titles under $50 holding more than 100 units. Exclude any title by tagging it \u0026lt;code\u0026gt;no-addon\u0026lt;\/code\u0026gt;. Not intended for navigation.\u0026lt;\/p\u0026gt;","products":[{"product_id":"somewhere-other","title":"Somewhere Other: John Wardle Architects","description":"\u003cp\u003e\u003cstrong\u003eSomewhere Other\u003c\/strong\u003e documents John Wardle Architects' installation at the 2018 Venice Architecture Biennale, tracing the ideas — geometric, cultural, and material — that define one of Australia's most distinctive contemporary architectural practices.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eFar more than a Biennale catalogue, this publication uses the Venice installation as a lens through which to examine the broader design philosophy of John Wardle Architects. In a centrepiece essay, Wardle draws together seemingly disparate influences — geometry, Venetian glass-making, Australian modernist painting — to articulate the conceptual layers behind the pavilion. Alongside this, essays by Max Delany, Artistic Director of the Australian Centre for Contemporary Art, and Rory Hyde, Curator of Contemporary Architecture and Urbanism at the Victoria and Albert Museum, illuminate recurring motifs across JWA's recent projects: portals, thresholds, and framed views as instruments of architectural meaning. Photo essays take readers behind the scenes of the pavilion's construction and into the Murano glass studio where the installation's iconic red orb was formed. Shortlisted for the Cornish Family Prize for Art and Design Publishing, 2019.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e152 pages of essays, construction documentation, and photo essays covering the pavilion and related JWA works\u003c\/li\u003e\n\u003cli\u003eContributors: Max Delany (Australian Centre for Contemporary Art) and Rory Hyde (Victoria and Albert Museum)\u003c\/li\u003e\n\u003cli\u003eBehind-the-scenes documentation of contractors Jacaranda Industries, Tensys, and Derek John, and Murano glass masters\u003c\/li\u003e\n\u003cli\u003eWorks by optical artist Natasha Johns-Messenger and film-makers Coco and Maximilian explored in dedicated essays\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow John Wardle Architects uses portals, thresholds, and framed views as recurring spatial and conceptual devices across multiple projects\u003c\/li\u003e\n\u003cli\u003eThe cross-disciplinary thinking — spanning geometry, Venetian craft, and Australian modernist painting — that shaped the Venice pavilion\u003c\/li\u003e\n\u003cli\u003eThe material and fabrication processes behind the installation, from structural contractors through to the creation of a Murano glass orb\u003c\/li\u003e\n\u003cli\u003eHow commissioned artworks by Natasha Johns-Messenger and Coco and Maximilian were integrated into the installation's conceptual framework\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eJohn Wardle Architects (JWA) is recognised as one of Australia's foremost contemporary architectural practices. The studio contributed the centrepiece essay for this volume, in which John Wardle reflects on the inspiration, motivation, and processes behind the Biennale pavilion. Max Delany and Rory Hyde contribute additional critical essays, bringing perspectives from contemporary art and curatorial practice respectively.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 152\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 165 x 241 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780994396631\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and designers interested in Australian contemporary practice, readers following the Venice Architecture Biennale, and those drawn to the intersection of architecture, craft, and commissioned art.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":12672719093878,"sku":"9780994396631","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Somewhere-Oher-John-Wardle-Architects-1.jpg?v=1624096624"},{"product_id":"robin-boyd-late-works","title":"Robin Boyd: Late Works","description":"\u003cp\u003e\u003cstrong\u003eRobin Boyd: Late Works\u003c\/strong\u003e recovers a largely forgotten chapter of one of Australia's most consequential architectural careers — the urban, public, and exhibition projects Boyd pursued through the 1960s, far beyond the modernist houses that made his name.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eRobin Boyd is remembered as an architect of refined mid-century modernist houses and as the polemicist behind \u003cem\u003eThe Australian Ugliness\u003c\/em\u003e (1960). But that reputation obscures a parallel and far more ambitious body of work. Through the final decade of his life, Boyd was designing at urban and civic scales — planning schemes, exhibition environments, multimedia projects — all in pursuit of a more coherent Australian built culture. \u003cstrong\u003eRobin Boyd: Late Works\u003c\/strong\u003e draws on archival material held across several national institutions to document these projects: their ambitions, their reception, and the thwarted aspirations that defined Boyd's last years of practice. Essential reading for anyone serious about Australian architectural history and mid-century modernism.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e108 pages of archival documentation, project analysis, and exhibition and planning material drawn from national institutional collections\u003c\/li\u003e\n\u003cli\u003eAuthors: Peter Raisbeck and Christine Phillips\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Boyd's public intellectual platform — built on the controversy of \u003cem\u003eThe Australian Ugliness\u003c\/em\u003e — shaped and complicated his architectural ambitions through the 1960s\u003c\/li\u003e\n\u003cli\u003eThe urban and civic-scale projects that run counter to Boyd's reputation as a domestic architect, including planning designs of considerable scope\u003c\/li\u003e\n\u003cli\u003eBoyd's engagement with exhibition design and multimedia work as instruments of cultural argument, not simply professional practice\u003c\/li\u003e\n\u003cli\u003eThe personal and professional costs of Boyd's campaign to reshape Australia's understanding of itself as an urban nation — ambitions largely unrealised at the time of his death in 1971\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eDr Christine Marie Phillips is a Senior Lecturer in the Architecture Program at RMIT's School of Architecture and an alternate member of the Heritage Council of Victoria, with research focused on Australian architecture and cultural heritage. Dr Peter Raisbeck is an architect, architectural historian, and researcher at the Melbourne School of Design, where he teaches Design Activism, Contemporary Architectural Archives, and Architectural Practice; his published work examines architectural practice, emerging technologies, design activism, and the architectural histories of the 1960s, and includes \u003cem\u003eArchitecture as a Global System\u003c\/em\u003e (2019).\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 108\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 222 x 303 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780648435594\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2019\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and architectural historians with an interest in Australian modernism, academics and students researching mid-century built culture, Boyd scholars, and anyone whose understanding of Boyd extends beyond the domestic canon.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":31885957398646,"sku":"9780648435594","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Robin-Boyd-Late-Works.jpg?v=1624000160"},{"product_id":"public-sydney-1000-piece-puzzle","title":"Public Sydney 1000 Piece Puzzle","description":"\u003cp\u003e\u003cstrong\u003ePublic Sydney 1000 Piece Puzzle\u003c\/strong\u003e translates the detailed cartographic vision of \u003cem\u003ePublic Sydney: Drawing the City\u003c\/em\u003e into a hands-on encounter with Sydney's urban form — its geology, street grid, civic spaces, and architectural landmarks assembled piece by piece.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eThis is not a tourist-map puzzle. Based on the acclaimed publication \u003cem\u003ePublic Sydney: Drawing the City\u003c\/em\u003e, the puzzle renders Sydney's metropolitan core with the precision of architectural drawing — tracing the canted and intersecting street networks, compact city blocks, fine-grained subdivisions, and the sandstone topography beneath it all. Parks, squares, monuments, and harbour foreshore are laid out in a single composition that rewards sustained attention. For anyone interested in urban design, city-making, or the particular spatial character of Sydney, assembling this puzzle is an act of reading the city.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e1000-piece puzzle, assembled size 698 x 403mm\u003c\/li\u003e\n\u003cli\u003eBy Philip Thalis and Peter John Cantril, drawn by Aaron Murray et al\u003c\/li\u003e\n\u003cli\u003eBased on \u003cem\u003ePublic Sydney: Drawing the City\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow Sydney's distinctive street grid — canted, intersecting, and historically layered — shapes the experience of the city at every scale\u003c\/li\u003e\n\u003cli\u003eThe relationship between sandstone geology and millennia of Indigenous occupation, embedded in the city's topography and place names\u003c\/li\u003e\n\u003cli\u003eWhere civic life concentrates: Sydney's finest parks, squares, and the buildings that define its culture, politics, law, and commerce\u003c\/li\u003e\n\u003cli\u003eHow past and present urban fabric coexist in a living continuum — readable only when the full picture is in view\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003ePhilip Thalis and Peter John Cantril are the authors behind \u003cem\u003ePublic Sydney: Drawing the City\u003c\/em\u003e, on which this puzzle is based. The puzzle drawings are by Aaron Murray et al.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Puzzle, 1000 pieces\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e [Details available upon request]\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 698 x 403mm (assembled)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e [Details available upon request]\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e [Details available upon request]\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects, urban designers, and Sydney enthusiasts who want to engage with the city's spatial logic beyond the screen — and anyone who has spent time with \u003cem\u003ePublic Sydney: Drawing the City\u003c\/em\u003e.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":32033905213558,"sku":"0744109329234","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/files\/publicsydneypuzzle.png?v=1691131313"},{"product_id":"bauhaus-x-ikea","title":"Bauhaus × IKEA: Legacies of Modernism","description":"\u003cp\u003e\u003cstrong\u003eBauhaus × IKEA\u003c\/strong\u003e traces a direct ideological line between two of the 20th century's most consequential design forces — asking not only how they transformed daily life, but what responsibility that transformation now carries in an era of climate crisis and overconsumption.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eIn 1919, the Bauhaus set out to democratise design through mass manufacturing. A decade after its closure in 1933, IKEA would take that founding principle — design for everyone — and build a global consumer empire around it. This edited volume brings together essays and photography to examine what that lineage has produced: a profound reshaping of how societies relate to designed objects, and a model of production whose environmental and cultural costs now demand scrutiny. Spanning history, politics, pedagogy, art, and society, \u003cstrong\u003eBauhaus × IKEA\u003c\/strong\u003e refuses easy celebration, instead engaging critically with modernist design's most enduring and contested legacy. Essential reading for designers, historians, and anyone reckoning with the ethics of mass production.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e136 pages of critical essays and curated photography examining modernist design history and its contemporary consequences\u003c\/li\u003e\n\u003cli\u003eContributors include Claudia Perren, Axel Kufus, Stefanie Bürkle, Rebecca Carrai, Christof Mayer, Andrew Benjamin, and Adam Jasper; edited by Thea Brejzek, Rochus Urban Hinkel, and Lawrence Wallen\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow the Bauhaus ideal of democratising design through mass manufacturing became the direct theoretical foundation for IKEA's global business model\u003c\/li\u003e\n\u003cli\u003eThe tension between modernism's emancipatory ambitions and the environmental wreckage produced by the consumer-driven manufacturing models it set in motion\u003c\/li\u003e\n\u003cli\u003eHow design pedagogy, from the Bauhaus workshop to contemporary design education, continues to be shaped by these two institutions\u003c\/li\u003e\n\u003cli\u003eCritical perspectives on design's role across politics, art, and society — and what a reckoning with this legacy might look like today\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eDr Thea Brejzek is Professor of Spatial Theory in the Architecture School at the University of Technology Sydney, a member of the scientific advisory board of the Bauhaus Dessau, and co-director of the IKEA×UTS Future Living Lab. Rochus Urban Hinkel is Associate Professor in Architecture and Design at the Melbourne School of Design, University of Melbourne, and has held professorships in artistic design, interior architecture, and furniture design across institutions in Europe and Australia. Dr Lawrence Wallen is Professor in the Architecture Department at the University of Technology Sydney and was previously Professor of Scenography at the Zurich University of the Arts, co-directing the IKEA×UTS Future Living Lab alongside Brejzek.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 136\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 297 × 210 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781922601209\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects, designers, and design historians interested in modernism's political and environmental legacy; educators and students in design theory and history; readers engaging critically with consumption, mass production, and the ethics of design.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":42426387693793,"sku":"9781922601209","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/BauhausxIkea-cover.png?v=1644895978"},{"product_id":"better-together","title":"Better Together: (33) Documents of Contemporary Australian Architecture \u0026 Their Associated Short Stories","description":"\u003cp\u003e\u003cstrong\u003eBetter Together\u003c\/strong\u003e reframes architectural production by treating 33 documents — contracts, mock-ups, correspondence, photography, and 1:1 models — as primary artefacts worthy of critical scrutiny, not mere administrative byproducts.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eArchitecture is made through far more than drawings. \u003cstrong\u003eBetter Together\u003c\/strong\u003e takes this premise seriously, gathering 33 artefacts from the design and construction process and examining each through a short story format that illuminates the document's context, authorship, and consequence. The selection spans working drawings, journalism, contracts, mock-ups, and photography — material that rarely receives sustained critical attention. Originating as an exhibition at Monash University's MADA Gallery, the book functions as a cross-section of contemporary Australian architectural practice while simultaneously proposing a new framework for how architectural production is structured, recorded, and understood. Essential reading for practitioners, researchers, and anyone interested in the mechanics behind built work.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e106 pages of short-form critical texts contextualising architectural artefacts from contemporary Australian practice\u003c\/li\u003e\n\u003cli\u003eEdited by Guillermo Fernández-Abascal, Kate Finning, Urtzi Grau, and Anna Tonkin\u003c\/li\u003e\n\u003cli\u003eFeatured practitioners include Edition Office, panovscott, Parlour, Sibling Architecture, Studio Bright, Trias, Vokes and Peters, and others\u003c\/li\u003e\n\u003cli\u003eContributions by Giovanna Borasi, Stéphanie Bru (Bruther), Sarah Hearne, Adam Jasper, Emma Letizia Jones, Erika Nakagawa, and Jesús Vassallo\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow contracts, correspondence, and mock-ups function as design instruments, not just administrative necessities\u003c\/li\u003e\n\u003cli\u003eThe multilayered relationship between photography and architecture as explored through specific archival and commissioned examples\u003c\/li\u003e\n\u003cli\u003eThe conventions and theatrics of gallery display as a medium for communicating architectural intent\u003c\/li\u003e\n\u003cli\u003eThe value of large-scale models and 1:1 mock-ups in contemporary construction and design development\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eThe volume is edited by Guillermo Fernández-Abascal, Kate Finning, Urtzi Grau, and Anna Tonkin. It originated as an exhibition at Monash University's MADA Gallery, bringing together practitioners and critics to examine the documents that shape contemporary architectural production.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 106\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 170 x 240 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781922601155\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e [Details available upon request]\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and designers curious about the non-drawing documents that shape practice, academics researching architectural theory and production, and students seeking critical frameworks for contemporary Australian architecture.\u003c\/p\u003e\n\u003cblockquote style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"14\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/CbgpRQ5luVV\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" class=\"instagram-media\"\u003e\n\u003cdiv style=\"padding: 16px;\"\u003e\n\u003ca style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; width: 100%;\" href=\"https:\/\/www.instagram.com\/p\/CbgpRQ5luVV\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" target=\"_blank\"\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; align-items: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"\u003e\u003csvg xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" version=\"1.1\" viewbox=\"0 0 60 60\" height=\"50px\" width=\"50px\"\u003e\u003cg fill-rule=\"evenodd\" fill=\"none\" stroke-width=\"1\" stroke=\"none\"\u003e\u003cg fill=\"#000000\" transform=\"translate(-511.000000, -20.000000)\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-top: 8px;\"\u003e\n\u003cdiv style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/CbgpRQ5luVV\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":42426464305377,"sku":"9781922601155","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/files\/9781922601155.jpg?v=1697677624"},{"product_id":"kerb-30-power","title":"Kerb 30: Power","description":"\u003cp\u003e\u003cstrong\u003eKerb 30: Power\u003c\/strong\u003e maps the forces — social, ecological, political — that landscape architects must navigate, resist, or leverage when shaping the built environment, structured across the three-part framework of Surrender, Agency, and Resistance.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003ePower is the subject few professions examine candidly about themselves. This thirtieth issue of Kerb, the journal of landscape architecture published by Uro Publications, turns that critical lens directly on the discipline. Who holds authority in the landscapes we inhabit? What social license does the profession rely upon, and at whose expense? The issue moves through three conceptual registers — Surrender, Agency, Resistance — to interrogate how landscape architects engage with existing ecologies of power, the business models that sustain practice, and the complicity that comes with proximity to authority. Essential reading for practitioners and students grappling with the ethics of design in contested environments.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e128 pages of essays, critical writing, and project-based discourse on power in landscape architecture\u003c\/li\u003e\n\u003cli\u003eContributors include AHORA, Billy Fleming, Sophia Pearce \u0026amp; Jock Gilbert, Ben Hardy-Clements, Simon Kilbane, Kyle Bush, TERREMOTO, and Molly Coulter\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2022\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow the conceptual triad of Surrender, Agency, and Resistance frames a landscape architect's relationship to institutional and social power\u003c\/li\u003e\n\u003cli\u003eThe social license underpinning landscape practice — and the discourse that both sustains and destabilises it\u003c\/li\u003e\n\u003cli\u003eThe business models that structure the profession, and how they shape which stories get told in the built environment\u003c\/li\u003e\n\u003cli\u003ePractitioners actively working to expose and resist the profession's entanglement with authority, from TERREMOTO to Billy Fleming\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003e[Details available upon request]\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 128\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 210 x 297mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781922601261\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2022\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Landscape architects, urban designers, and design students engaged with the politics of practice, environmental justice, and the ethics of professional authority in the built environment.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":43545665601761,"sku":"9781922601261","price":34.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/978-1-922601-26-1.png?v=1668654727"},{"product_id":"among-buildings-second-edition","title":"Among Buildings (second edition)","description":"\u003cp\u003e\u003cstrong\u003eAmong Buildings\u003c\/strong\u003e brings together photographer Tom Ross, architect and poet Michael Roper, and graphic designer Stuart Geddes to reframe 26 significant Melbourne buildings through poetry and photography — a collaboration that resists the authoritative survey in favour of personal, open-ended reflection.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eThis is not a guidebook to Melbourne architecture, nor a catalogue of canonical works. \u003cstrong\u003eAmong Buildings\u003c\/strong\u003e operates in the productive space between image and language, asking what a building means to those who inhabit, observe, and imagine it. Each of the 26 featured structures — from Robin Boyd's Featherston House to the Griffins' Capitol Theatre, from Federation Square to the Sidney Myer Music Bowl — is met not with technical description but with fragments: poetic, photographic, and experiential. The result is a work that treats Melbourne's built environment as a site of myth, memory, and ongoing interpretation. This second edition presents the work in a lay-flat binding for the first time, allowing the full spread of Ross's photography to be read alongside Roper's verse without interruption. An introduction by architect, artist and poet Alex Selenitsch anchors the project in broader thinking about architecture and language.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e208 pages of lay-flat bound photography and poetry across 26 Melbourne buildings\u003c\/li\u003e\n\u003cli\u003ePhotography by Tom Ross; poetry by Michael Roper; design by Stuart Geddes; introduction by Alex Selenitsch\u003c\/li\u003e\n\u003cli\u003eFeatured buildings include Featherston House (Robin Boyd), Capitol Theatre (Walter Burley Griffin and Marion Mahony Griffin), Sidney Myer Music Bowl (Yuncken Freeman), National Gallery of Victoria (Roy Grounds \/ Mario Bellini), Federation Square (Lab Architecture Studio), RMIT Design Hub (Sean Godsell), and Storey Hall (Ashton Raggatt McDougall), among others\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow poetry and architectural photography can operate in tension rather than illustration — each medium unsettling and expanding the other's account of a building\u003c\/li\u003e\n\u003cli\u003eA non-hierarchical reading of Melbourne's built history, from public housing estates and lifesaving clubs to national cultural institutions\u003c\/li\u003e\n\u003cli\u003eThe role of place, myth, personal memory, and imagination in how significant architecture is experienced beyond its programme or authorship\u003c\/li\u003e\n\u003cli\u003eA formal argument made through the lay-flat binding itself: that the relationship between image and text demands physical openness and uninterrupted spread\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eStuart Geddes is a Melbourne-based graphic designer whose work engages with print, publishing, and the relationship between design and language. \u003cstrong\u003eAmong Buildings\u003c\/strong\u003e is a three-way collaboration with architect and poet Michael Roper and photographer Tom Ross, with an introduction by Alex Selenitsch, who practises across architecture, art, and poetry.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover, lay-flat binding\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 208\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 235 x 165 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781922601292\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2018\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Architects and designers with an investment in Melbourne's built history; readers interested in the intersection of poetry and architectural photography; students of Australian architecture seeking a work that prioritises interpretation over documentation.\u003c\/p\u003e\n\u003cblockquote style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\" data-instgrm-version=\"14\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/C8VzgXTSqun\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-captioned=\"\" class=\"instagram-media\"\u003e\n\u003cdiv style=\"padding: 16px;\"\u003e\n\u003ca style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; width: 100%;\" href=\"https:\/\/www.instagram.com\/p\/C8VzgXTSqun\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" target=\"_blank\"\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; align-items: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 19% 0;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: block; height: 50px; margin: 0 auto 12px; width: 50px;\"\u003e\u003csvg xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" version=\"1.1\" viewbox=\"0 0 60 60\" height=\"50px\" width=\"50px\"\u003e\u003cg fill-rule=\"evenodd\" fill=\"none\" stroke-width=\"1\" stroke=\"none\"\u003e\u003cg fill=\"#000000\" transform=\"translate(-511.000000, -20.000000)\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-top: 8px;\"\u003e\n\u003cdiv style=\"color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/p\/C8VzgXTSqun\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":43966161879265,"sku":"9781922601292","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/files\/978-1-922601-29-2.jpg?v=1688627589"},{"product_id":"kerb-31-limit","title":"Kerb 31: Limit","description":"\u003cp\u003e\u003cstrong\u003eKerb 31: Limit\u003c\/strong\u003e reframes constraint as a generative condition for landscape architecture, gathering voices from practice and construction to ask what the discipline's edges reveal about its future.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eAs climate pressures intensify and digital tools grow more powerful, the boundaries of landscape architecture practice are being tested from every direction. Rather than treating limitation as failure, this thirty-first edition of Kerb — RMIT's journal of landscape architecture — turns constraint into a lens. The result is a genuinely counterintuitive inquiry: by mapping what the discipline cannot do, contributors illuminate what it might yet become. From the ethics of professional restraint to the material realities of construction standards, the journal draws on a wide range of practitioners to explore how limits shape design thinking and built outcomes. Essential reading for landscape architects, urban designers, and students engaged with the discipline's contested edges.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e128 pages of practitioner essays, interviews, and design criticism\u003c\/li\u003e\n\u003cli\u003eContributors include landscape architect Teresa Moller and artist Mike Hewson\u003c\/li\u003e\n\u003cli\u003eCase study: Hewson's Melbourne playground 'Rocks on Wheels' and the construction standards that shaped it\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow professional and regulatory constraints have shaped the careers of leading practitioners, including Teresa Moller's first-hand account of limits encountered across her practice\u003c\/li\u003e\n\u003cli\u003eThe design consequences of construction standards in public space, examined through Mike Hewson's 'Rocks on Wheels' — Melbourne's deliberately 'risky' new playground\u003c\/li\u003e\n\u003cli\u003eWhy embracing limitation, rather than circumventing it, may be a more productive model for expanding landscape architecture's scope and relevance\u003c\/li\u003e\n\u003cli\u003eThe intersection of social, environmental, and digital pressures now bearing on traditional landscape architecture practice\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003e[Details available upon request]\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 128\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 210 x 297mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781922601315\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Landscape architects and urban designers questioning their practice's boundaries, RMIT students and alumni, and design academics researching how constraint functions as a creative and ethical force.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/C9T2VNQSYl_\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https:\/\/www.instagram.com\/p\/C9T2VNQSYl_\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewbox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-top: 8px;\"\u003e \u003cdiv style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c\/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c\/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/C9T2VNQSYl_\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/blockquote\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":45451724456161,"sku":"9781922601315","price":34.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/files\/978-1-922601-31-5.jpg?v=1719897592"},{"product_id":"kerb-33-appetite-9781922601438","title":"Kerb 33: Appetite","description":"\u003cp\u003e\u003cstrong\u003eKerb 33: Appetite\u003c\/strong\u003e reframes abundance as nourishment rather than excess, gathering emerging landscape designers around questions of sustaining, ethical practice in a culture of overconsumption. Each contribution adds a distinct voice to a collective table.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eStructured as a multi-course feast, \u003cem\u003eKerb 33: Appetite\u003c\/em\u003e moves through stages of thought on what it means to nurture landscapes — and the people who shape them — through restraint rather than spectacle. The issue brings together designers, educators, and practitioners to examine ethical design practice from the ground up: how we grow, maintain, share, and sustain. Peggy Deamer interrogates advocacy and self-sustenance within design education. Su Dennett and David Holmgren connect food, home, and architecture into more resilient living systems. Martí Franch and Jordi Batallé recast maintenance as authorship. This is landscape architecture at its most politically and ecologically alert.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e128 pages of essays, perspectives, and design propositions from practitioners and theorists\u003c\/li\u003e\n\u003cli\u003eContributors include Peggy Deamer, Su Dennett, David Holmgren, Martí Franch, and Jordi Batallé\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow humility and austerity in design can constitute a radical re-definition of abundance\u003c\/li\u003e\n\u003cli\u003eThe political dimensions of maintenance — reframed by Franch and Batallé as a form of authorship that foregrounds overlooked landscapes\u003c\/li\u003e\n\u003cli\u003eHow everyday acts of growing, preparing, and sharing food can form the basis of more just and resilient architectural systems\u003c\/li\u003e\n\u003cli\u003ePeggy Deamer's critical examination of how designers sustain themselves and each other through work and education\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003e[Details available upon request]\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Softcover\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 128\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 210 x 297 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9781922601438\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2025\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Landscape architects, emerging designers, and educators interested in ethical practice, ecological design, and the politics of maintenance and sustenance\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":47331957604577,"sku":"9781922601438","price":34.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/files\/Kerb-33-Appetite-ISBN-9781922601438.jpg?v=1768954846"},{"product_id":"transformative-repair","title":"Transformative Repair","description":"\u003cp\u003e\u003cstrong\u003eTransformative Repair\u003c\/strong\u003e reframes the broken object not as waste but as creative material, arguing that designers and craftspeople are the most capable respondents to a global waste crisis demanding more than mere restoration.\u003c\/p\u003e\n\n\u003ch2\u003eAbout This Book\u003c\/h2\u003e\n\u003cp\u003eAustralia generates 75 million tonnes of waste annually, much of it discarded goods that could be repaired. Guy Keulemans takes this figure not as a statistic to lament but as a design brief to answer. Drawing on a decade of participatory design research conducted across institutions including the Australian Design Centre, JamFactory, and Design Tasmania, \u003cstrong\u003eTransformative Repair\u003c\/strong\u003e documents ambitious collaborative projects that stretch the meaning of repair far beyond its conventional limits. Japanese lacquerware masters mend Western ceramics; contemporary jewellers encase cake mixers in concrete; kintsugi sits alongside digital and virtual repair methodologies. The result is both a scholarly argument and a practical guide — a case for redirecting the skills of trained makers toward damaged and obsolete objects, and in doing so, challenging the logic of linear economies built on planned obsolescence. Essential reading for designers, craftspeople, and anyone invested in sustainable design practice.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e191 pages of participatory design research documentation, project photography, and critical argument\u003c\/li\u003e\n\u003cli\u003eFeatured artists and designers include Jane Bowden, David Caon, Andrew Carvolth, Adam Goodrum, Benja Harney, Kyoko Hashimoto, Trent Jansen, Peta Kruger, Kay Lawrence, Lucy McRae, Tom Moore, Johnny Nargoodah, Blanche Tilden, and the Campana Brothers\u003c\/li\u003e\n\u003cli\u003eProjects conducted across the Australian Design Centre, JamFactory, and Design Tasmania\u003c\/li\u003e\n\u003cli\u003ePublished by Uro Publications, 2026\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eWhat You'll Discover\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHow repair can be a transformative creative act rather than a process of returning objects to their original condition\u003c\/li\u003e\n\u003cli\u003eThe intersection of traditional craft practices — including Japanese kintsugi and lacquerware — with contemporary and digital repair methodologies\u003c\/li\u003e\n\u003cli\u003eHow furniture, homewares, textiles, and electronics can be revived through the redirected expertise of skilled studio practitioners\u003c\/li\u003e\n\u003cli\u003eThe ethical and economic argument for a culture of conservation and creative transformation as an alternative to linear production and disposal cycles\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout the Author\u003c\/h2\u003e\n\u003cp\u003eDr Guy Keulemans is a designer and researcher at Adelaide University, holding a Masters in Humanitarian Design from the Design Academy Eindhoven and a PhD from UNSW Sydney. For over ten years he has conducted participatory design research across Australia into creative forms of repair and reuse, building on 25 years of studio practice experience.\u003c\/p\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormat:\u003c\/strong\u003e Paperback with clear dust jacket\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePages:\u003c\/strong\u003e 191\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 175 x 250mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eISBN:\u003c\/strong\u003e 9780646896564\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublisher:\u003c\/strong\u003e Uro Publications\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e 2026\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cstrong\u003ePerfect For:\u003c\/strong\u003e Designers, craftspeople, and makers engaged with sustainable practice; academics and students researching circular economy and material culture; curators and institutions working at the intersection of craft and environmental responsibility.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DYLekvREyCv\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"\u003e\u003cdiv style=\"padding:16px;\"\u003e \u003ca href=\"https:\/\/www.instagram.com\/p\/DYLekvREyCv\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"\u003e \u003cdiv style=\" display: flex; flex-direction: row; align-items: center;\"\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 19% 0;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"\u003e\u003csvg width=\"50px\" height=\"50px\" viewbox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"\u003e\u003cg stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"\u003e\u003cg transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"\u003e\u003cg\u003e\u003cpath d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"\u003e\u003c\/path\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/g\u003e\u003c\/svg\u003e\u003c\/div\u003e\n\u003cdiv style=\"padding-top: 8px;\"\u003e \u003cdiv style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003c\/div\u003e \u003cdiv style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003c\/div\u003e \u003cdiv style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e \u003cdiv style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e \u003cdiv style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e \u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e \u003cdiv style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/a\u003e\u003cp style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/DYLekvREyCv\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/blockquote\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":48270259847393,"sku":"9780646896564","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/files\/Transformative_Repair-Cover_offwhite.png?v=1777858496"}],"url":"https:\/\/bookshopbyuro.com\/collections\/cart-add-ons.oembed","provider":"Bookshop by Uro","version":"1.0","type":"link"}