{"title":"New products","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eA considered selection of books on art, architecture, and design — monographs, critical writing, and visual essays from independent publishers around the world from Bookshop by Uro\u003c\/p\u003e","products":[{"product_id":"falls-the-shadow-from-idea-to-reality-the-national-gallery-of-australia","title":"Falls the Shadow:  From Idea to Reality, The National Gallery of Australia","description":"\u003ch4\u003e\n\u003cem\u003ePublisher:\u003c\/em\u003e Uro Publications 2012, \u003cem\u003eISBN\u003c\/em\u003e: 9780987228109, \u003cem\u003eEditor\u003c\/em\u003e: Paul McGillick, \u003cem\u003eDesign\u003c\/em\u003e: Paul Marcus Fuog, Uriah Gray, \u003cem\u003eFormat\u003c\/em\u003e: bookcloth hardcover, 192pp, 285mm x 228mm x 18mm\u003c\/h4\u003e\n\u003cp\u003e\"Col Madigan was an architect of rare intellect and tenacity and his buildings warrant our attention.\" – Mark Raggatt, \u003cem\u003e\u003ca href=\"http:\/\/architectureau.com\/articles\/the-swagman-and-the-squatter\/\" title=\"http:\/\/architectureau.com\/articles\/the-swagman-and-the-squatter\/\"\u003eArchitecture Australia \u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe National Gallery of Australia is arguably both the most fascinating and the most contentious building in Australia. Prior to this publication, however, no book had ever been published on this remarkable work of modernist Australian architecture.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFalls the Shadow: From Idea to Reality\u003c\/em\u003e, \u003cem\u003eThe National Gallery of Australia\u003c\/em\u003e documents the controversy, challenges and accomplishments of this radical building - and the ultimately unsuccessful attempt by the building’s lead architect, Col Madigan, to participate in the revisions to the gallery by a succession of NGA Directors over a 20-year period. \u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing 11 essays by a range of voices from the Australian architecture community, from Daryl Jackson to Richard Goodwin and from Angelo Candalepas to Jennifer Taylor, a picture is formed of an under-appreciated modern Australian milestone.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan\u003eWith photography by Max Dupain, the book tells a story that’s passion, contradiction and even melodrama reflects the personality of the man whose vision drove the enterprise. The gallery is Col Madigan’s masterpiece, but also, the nation’s masterpiece.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWhat others think...\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/architectureau.com\/articles\/the-swagman-and-the-squatter\/\" title=\"Architecture Australia on the National Gallery of Australia and Falls the Shadow\" target=\"_blank\"\u003e\u003ci\u003eWinner of an Australian Institute of Architects \u003c\/i\u003e\u003c\/a\u003e\u003ci\u003e\u003ca href=\"http:\/\/www.architecture.com.au\/events\/state-territory\/victorian-chapter\/victorian-awards\/bates-smart-award\" target=\"_blank\"\u003eBates Smart Architecture in the Media commendation\u003c\/a\u003e. \u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003ci\u003e“This book does not set out to be neutral... Instead, it aims to celebrate the rich complexity of one of Australia’s greatest buildings.” – John Bralic, \u003ca href=\"http:\/\/architectureau.com\/articles\/falls-the-shadow\/\" title=\"John Bralic's review of Falls the Shadow in Architecture Australia\" target=\"_blank\"\u003eArchitecture Australia\u003c\/a\u003e\u003c\/i\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003ci\u003e \u003c\/i\u003e \u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“The book itself takes the reader from ideas to reality through a series of impressive essays from the diverse contributors, with each delivering an individual voice and opinion.” – Gillian Serisier, \u003c\/em\u003e\u003ca href=\"https:\/\/www.australiandesignreview.com\/architecture\/ten-books-in-review\/\" target=\"_blank\"\u003e\u003cem\u003eAustralian Design Review\u003c\/em\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14077122438,"sku":"9780987228109","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Falls-the-Shadow.jpg?v=1624101020"},{"product_id":"episodic-urbanism-peter-elliott","title":"Episodic Urbanism: RMIT Urban Spaces Project 1996-2015","description":"\u003ch4\u003e\n\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePublisher:\u003c\/em\u003e \u003c\/strong\u003e\u003c\/i\u003eU\u003cstrong\u003ero Publications,\u003c\/strong\u003e \u003ci data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eISBN: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong data-mce-fragment=\"1\"\u003e9780994269706, \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eAuthors: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003ePeter Elliott\u003c\/strong\u003e \u003cstrong\u003eet al,\u003c\/strong\u003e \u003ci\u003e\u003cem\u003e\u003cstrong\u003eEditor: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003eMaitiú Ward,\u003c\/strong\u003e\u003ci\u003e Design: \u003c\/i\u003eStuart Geddes\u003ci\u003e \u003c\/i\u003e\u003ci\u003e \u003cem\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e, \u003cstrong\u003e210 x 275 mm, 192pp\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong data-mce-fragment=\"1\"\u003eFINAL COPIES\u003c\/strong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"line-height: 1.4;\"\u003e\"\u003c\/em\u003e\u003cem style=\"line-height: 1.4;\"\u003eOne city block is like a little experiment in how you reimagine a city.\" – Peter Elliott, quoted in \u003ca title=\"Episodic Urbanism article in The Age by Ray Edgar\" href=\"http:\/\/www.theage.com.au\/entertainment\/the-block-party-begins-here-what-lies-behind-rmits-wild-architectural-facade-20151201-glb9zf.html#ixzz3thlNpdwh\" target=\"_blank\"\u003eThe Age\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"line-height: 1.4;\"\u003eEpisodic Urbanism\u003c\/em\u003e\u003cspan style=\"line-height: 1.4;\"\u003e is a book about the transformation of two city blocks in the heart of Melbourne, Australia. It tells the story of how Peter Elliott Architecture + Urban Design has worked, over the course of nearly two decades, to turn RMIT University’s \u003c\/span\u003einner city premises from what was essentially a private fortress into a public-spirited urban campus.\u003c\/p\u003e\n\u003cp\u003eTouching on everything from Renaissance Italian townscapes to masterworks of 20th century city-making by the likes of Carlo Scarpa, Luis Barragán and Jože Plečnik, \u003cem\u003eEpisodic Urbanism\u003c\/em\u003e illuminates the unique conceptual framework underpinning the success of RMIT’s rejuvenation. As the book demonstrates, this framework sits in stark contrast to typical master planning exercises that work to impose a single, homogenous vision. Instead, it privileges subtle, incremental change that is respectful of existing conditions and their history – which in RMIT’s case stretches right back to the foundation of Melbourne.\u003cbr\u003e\u003cbr\u003ePresented in a visually rich, highly tactile format developed by graphic artist Stuart Geddes, \u003cem\u003eEpisodic Urbanism\u003c\/em\u003e features contributions from several leading thinkers on urbanism and the city, including Leon van Schaik, William L Fox, SueAnne Ware and Robert Nelson. As an exploration of both urban and institutional renewal, it tells a story about how we might effect dramatic transformation within our cities, without the dramatic rupture commonly associated with ‘renewal’. It is an essential publication for those with an interest in how we can shape our cities for the better, not through erasure and homogenisation but with an appreciative eye to their history, diversity and vitality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWhat others think...\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eEpisodic Urbanism\u003c\/em\u003e is a beautiful publication that was selected by our panel of judges for its innovation and uniqueness. The design elements work harmoniously together and we commend the designer, Stuart Geddes and authors for the care and attention given to every aspect that makes this book outstanding.\" \u003cem\u003e– Finalist, \u003ca title=\"Cornish Family Prize for Art and Design Publishing\" href=\"https:\/\/www.ngv.vic.gov.au\/media_release\/the-national-gallery-of-victoria-launches-an-international-art-and-design-publishing-prize\/\" target=\"_blank\"\u003eCornish Family Prize for Art and Design Publishing 2017\u003c\/a\u003e, presented by the National Gallery of Victoria\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“It is no simple task to capture and document a project of this complexity, yet \u003cem\u003eEpisodic Urbanism\u003c\/em\u003e does so with a charm that is reflective of the architectural work itself…a great delight to read.” \u003cem\u003e– Winner, \u003ca title=\"Bates Smart Architecture in the Media Award\" href=\"http:\/\/www.architecture.com.au\/events\/state-territory\/victorian-chapter\/victorian-awards\/bates-smart-award\" target=\"_blank\"\u003eBates Smart Architecture in the Media Award\u003c\/a\u003e 2016\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ca title=\"ABDA 2016\" href=\"http:\/\/abda.com.au\/awards\/shortlist-2016\/\" target=\"_blank\"\u003eAustralian Book Design Awards 2016\u003c\/a\u003e Shortlist – Best Fully Illustrated Book Over RRP$50\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"RMIT's story of cutting edge design goes well beyond its Swanston Street surface.\" – \u003ca title=\"Episodic Urbanism article in The Age by Ray Edgar\" href=\"http:\/\/www.theage.com.au\/entertainment\/the-block-party-begins-here-what-lies-behind-rmits-wild-architectural-facade-20151201-glb9zf.html#ixzz3thlNpdwh\" target=\"_blank\"\u003eThe Age\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"An intriguing and playful publication...\" – \u003ca title=\"Episodic Urbanism review in Indesign magazine\" href=\"https:\/\/issuu.com\/indesigngroup\/docs\/online_mag__64_02\/54\" target=\"_blank\"\u003eIndesign\u003c\/a\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Exquisite drawings; really sensitive, quiet insertions into the urban fabric, but all about the way that people use space... sublime architecture.\" – Simon Knott, \u003ca title=\"Simon Knott on Triple R talking to Episodic Urbanism\" href=\"http:\/\/ondemand.rrr.org.au\/grid\/20151111082522\"\u003eTriple R\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003eWhat sets the book apart from recent practice monographs is the way it tells a larger story about ambitions for urban architecture within the contemporary city.\" \u003c\/em\u003e\u003cem\u003e– \u003ca href=\"https:\/\/architectureau.com\/articles\/episodic-urbanism\/\" target=\"_blank\"\u003eArchitecture AU\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/d1vlcGQAyJE\"\u003e\u003c\/iframe\u003e \u003ca href=\"https:\/\/www.youtube.com\/watch?v=d1vlcGQAyJE\"\u003eRobert Nelson talking at the launch of Episodic Urbanism: RMIT Urban Spaces Project 1996–2015\u003c\/a\u003e.\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14772084806,"sku":"9780994269706","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Episodic-Urbanism-Peter-Eliott.jpg?v=1624097992"},{"product_id":"studio-futures-changing-trajectories-in-architectural-education","title":"Studio Futures: Changing Trajectories in Architectural Education","description":"\u003ch4\u003e\n\u003cem\u003ePublisher:\u003c\/em\u003e Uro Publications 2015 \u003cem\u003eEditors:\u003c\/em\u003e Donald Bates, Vivian Mitsogianni, Diego Ramírez-Lovering \u003cem\u003eDesign:\u003c\/em\u003e Michael Bojkowski \u003cem\u003eISBN:\u003c\/em\u003e 9780994269713 \u003cem\u003eFormat:\u003c\/em\u003e Paperback, 176pp, 175mm x 245mm\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003e‘Studio Futures powerfully and persuasively examines how the \"changing trajectories\" of architectural education in Australia and New Zealand will have a positive impact on practice and not just on pedagogy.’ ­– Harriet Harriss, \u003ca href=\"https:\/\/www.uropublications.com\/blogs\/news\/architecture-australia-reviews-studio-futures\" target=\"_blank\" title=\"Architecture Australia review of Studio Futures\" rel=\"noopener noreferrer\"\u003eArchitecture Australia\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThroughout much of the twentieth century, the design studio has been an important locus of invention and experimentation in architecture: both smelter and test-bed for new ideas. But with recent developments in digital technology, new materials and construction practices, shifts in the client-architect relationship, and architectural practice subject to evermore-onerous procurement models, is the studio model still relevant?\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStudio Futures\u003c\/em\u003e examines contemporary practices in design education, with a particular focus on the studio model, to understand how educators are responding to the demands of architectural practice now and into the future.\u003cbr\u003e\u003cbr\u003eThe book includes case studies of innovative studio models together with critical essays that consider the history of the design studio and how it might respond to the changing demands of practice, research, pedagogy and society. In addition, a wider survey of architects enriches this material with observations on the challenges facing the discipline at the coalface of architectural practice.\u003cbr\u003e\u003cbr\u003eBringing together leading thinkers from across professional practice and academia, \u003cem\u003eStudio Futures\u003c\/em\u003e is a sustained reflection on the relevance of the design studio to contemporary conditions. Perhaps more importantly, though, it offers vital insights into what the future might hold for this pivotal platform for architectural education and production.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWhat others think...\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘If all good books on architectural education were judged by the practical applicability ­- and not just the philosophical profundity - of their insights, then this book could surely be considered exemplary.’ –\u003c\/em\u003e\u003cem\u003e\u003cem\u003e Harriet Harriss, \u003ca href=\"https:\/\/www.uropublications.com\/blogs\/news\/architecture-australia-reviews-studio-futures\" target=\"_blank\" title=\"Architecture Australia review of Studio Futures\" rel=\"noopener noreferrer\"\u003eArchitecture Australia\u003c\/a\u003e\u003c\/em\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14797536326,"sku":"9780994269713","price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Studio-Futures.jpg?v=1624097806"},{"product_id":"mono-no-aware-the-poignancy-of-things","title":"Mono no aware \/ 物の哀れ: The Poignancy of Things","description":"\u003ch4\u003e\n\u003cem\u003ePublisher:\u003c\/em\u003e Uro Publications 2015, \u003cem\u003eAuthor:\u003c\/em\u003e Brett Boardman, with an introduction by Pico Iyer \u003cem\u003eDesign:\u003c\/em\u003e Mark Gowing \u003cem\u003eISBN:\u003c\/em\u003e 9780987228192, \u003cem\u003eFormat:\u003c\/em\u003e Hardback (Japanese silk bound, with blue tarpaulin bookslip), edition of 200, includes one pair of signed and numbered prints, 96 pp, 390mm x 267mm\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003e\"[A] chance occurrence gave Boardman a new angle on 'Japan’s architectural wonder of the world'…The resulting photographs [.] speak to more than just a building.\" – Toby Fehily, \u003ca href=\"http:\/\/artguide.com.au\/articles-page\/show\/brett-boardman\/\" title=\"Art Guide Australia review of Mono no aware\"\u003eArt Guide Australia\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eUro is pleased to announce the launch of a limited edition volume of photographs by Australian photographer Brett Boardman, launched alongside an exhibition at the Japan Foundation in Sydney entitled ‘Mono no aware: The Poignancy of Things’. This large format volume consists of 42 sets of paired photographs captured in Kyoto in 2011, juxtaposing the 17th-century imperial villa Katsura Rikyū with a makeshift shelter under a nearby bridge.\u003cbr\u003e\u003cbr\u003eFew examples of Imperial Japanese architecture are as revered as Prince Hachijō Toshihito’s Katsura Rikyū. ‘Rediscovered’ by the German architect Bruno Taut in his exploration of Japanese architecture from 1933-36, it featured prominently in his subsequent publication, \u003ci\u003eHouses and People of Japan\u003c\/i\u003e. This was followed some years later by the seminal publication \u003ci\u003eTradition and Creation in Japanese Architecture\u003c\/i\u003e by architects Kenzō Tange and Walter Gropius with photographs by Ishimoto Yasuhiro. Over the decades that followed this publication's release, Katsura Rikyū has become a focal point in the dialogue between East and West and between tradition and modernity. \u003cbr\u003e\u003cbr\u003eIn considering the relationship between Japanese architecture and Buddhism, Gropius writes of \u003ci\u003ezazen \u003c\/i\u003e– translated as seated meditation and the suspension of all judgment – and \u003ci\u003ekoan \u003c\/i\u003e– a story or paradox designed to short-cut reason and the intellect, leading to direct realisation of a reality beyond thought. These ideas have informed the work presented here. \u003cbr\u003e\u003cbr\u003eStatement by Brett Boardman:\u003cbr\u003e\u003ci\u003ePhotography has long been compelled by the fleeting nature of things. The images within this volume are the output of a spontaneous response to direct experience. The initial intent was to document the architectural, spatial and material qualities of Katsura Rikyū, however on leaving the palace I discovered a nearby second site, a makeshift shelter that seemed to more directly express Prince Hachijō Toshihito’s desire for the original Katsura to be ‘a teahouse in the melon patch’.\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eThe images were created within two hours of each other. The palace images following in the tradition of Ishimoto Yasuhiro's classic architectural images, while the makeshift shelter images are more aligned to Ryuji Miyamoto’s study of homelessness in his Cardboard Houses.\u003c\/i\u003e\u003cbr\u003e\u003ci\u003eThe images may be viewed as architectural photography, documentary photography or social commentary and will hopefully continue the dialogue that began almost 100 years ago between Katsura Rikyū as a place, Japan as a culture and the West.”\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eBoardman’s intimate photographic record of this apparently incidental adjacency transcends the stark social and temporal disparity of these structures, illuminating the ways that they echo each other in response to the human desire for tranquility, order and dignity.\u003cbr\u003e\u003cbr\u003eThe volume includes an introduction entitled 'Sunlight and Shade in Katsura' by essayist and novelist Pico Iyer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWhat others think...\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Here, the revered and preserved is paired with the neglected and discarded in a manner that encourages us to question how we ascribe value, not only to objects but also to lives.\" – Marnie Morieson, Architecture Australia\u003c\/em\u003e\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14802358022,"sku":"9780987228192","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/mono-no-aware.jpg?v=1624098938"},{"product_id":"multitudes-hassell-1938-2013","title":"MULTITUDES: HASSELL 1938-2013","description":"\u003ch4\u003e\n\u003cem\u003ePublisher:\u003c\/em\u003e Uro Publications 2013, \u003cem\u003eEditor\u003c\/em\u003e: Cameron Bruhn, \u003cem\u003eDesign:\u003c\/em\u003e Fabio Ongarato, \u003cem\u003eISBN: \u003c\/em\u003e9780987228154, \u003cem\u003eFormat: \u003c\/em\u003eHardback (clothbound), 312pp, 287mm x 228mm x 30mm\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003eMULTITUDES\u003c\/em\u003e examines the work of multi-award winning international design practice, HASSELL. Founded in Australia in 1938, HASSELL has grown to become one of the world’s largest design firms, with offices in China, Singapore, Thailand, the United Kingdom and Australia. Released to mark the practice’s 75th anniversary, \u003cem\u003eMULTITUDES\u003c\/em\u003e unpacks the collaborative, multidisciplinary design approach that has seen the practice thrive in the turbulent, increasingly globalised conditions of the 21st century city. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book features contributions from leading design practitioners and commentators, including Elizabeth Farrelly, author and regular \u003cem\u003eSydney Morning Herald\u003c\/em\u003e columnist, John Worthington, founder of international planning and architecture firm DEGW, and Professor Sue Anne Ware, of RMIT University, amongst others. Showcased projects include much of HASSELL’s recent urban works in Asia’s burgeoning mega-cities, as well as its signature public buildings, such as the Adelaide Festival Centre (1980), the Sydney Olympic Park railway station (1998), The National Institute of Dramatic Art, Sydney (2002), and many more. A hardback, clothbound volume with design by renowned creative studio Fabio Ongarato Design, \u003cem\u003eMULTITUDES\u003c\/em\u003e is richly illustrated and makes for a proud addition to any architectural library or personal collection. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eCover ships in either black on grey or white on grey - choose option above\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"White foil on grey bookcloth","offer_id":14869920390,"sku":"9780987228154","price":89.0,"currency_code":"AUD","in_stock":true},{"title":"Black foil on grey bookcloth","offer_id":14870292614,"sku":"9780987228154","price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Multitudes-Hassell.jpg?v=1624099915"},{"product_id":"paul-morgan-architects","title":"Paul Morgan Architects","description":"\u003ch4\u003e\n\u003cem\u003ePublisher:\u003c\/em\u003e Uro Publications 2013 \u003cem\u003eEditor:\u003c\/em\u003e Maitiú Ward \u003cem\u003eDesign:\u003c\/em\u003e Paul Marcus Fuog, Uriah Gray, \u003cem\u003eISBN:\u003c\/em\u003e 9780987228178 \u003cem\u003eFormat:\u003c\/em\u003e Paperback, 112pp, 230mm x 190mm\u003c\/h4\u003e\n\u003cp\u003eFrom survival pods for a climate-stressed Australia of the near-future, to buildings sculpted to respond to the environment that surrounds them, the work of Paul Morgan Architects is a highly unconventional blend of science fiction, sustainability and speculation. Despite operating in a mode far from the architectural norm, however, the practice has received a slew of awards in the decade since its inception, including the Robin Boyd Award for Residential Buildings and a citation for the Zumtobel Group Award for Sustainability and Humanity in the Built Environment. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book, the first volume in Uro's \u003c\/span\u003e\u003ci\u003eminimono \u003c\/i\u003e\u003cspan\u003eseries, documents a selection of Paul Morgan Architects’ most significant public and private commissions, including its multi-award winning residential work and its more recent educational and institutional design. Critical contributions include writing by Kristin Feireiss, co-founder of the architectural forum Aedes in Berlin and a former director of the Netherlands Architecture Institute, Conrad Hamann, author and architectural historian, and Dr Vivian Mitsogianni, Associate Professor in Architecture at RMIT University.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRichly illustrated with photography by Peter Bennetts as well as the practice’s own drawings and visualisations, the book provides a deep insight into both the work and the processes behind this maverick Australian architecture studio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWhat others think...\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Through its projects, finely illustrated in the book, the practice contemplates architecture as a kind of cultural edifice – ultimately a solid object, but built from the complexity of cultural constructs and lore.\" – Carey Lyon, \u003ca href=\"http:\/\/architectureau.com\/articles\/minimono-paul-morgan-architects\/#img=1\" title=\"Carey Lyon's review of Paul Morgan Architects for Architecture Australia\" target=\"_blank\"\u003eArchitecture Australia\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eWinner of an Australian Institute of Architects \u003ca href=\"http:\/\/www.architecture.com.au\/events\/state-territory\/victorian-chapter\/victorian-awards\/bates-smart-award\" target=\"_blank\"\u003eBates Smart Architecture in the Media commendation\u003c\/a\u003e.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eAbout the Minimono series:\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eUro’s \u003c\/i\u003e\u003cspan\u003eminimono \u003c\/span\u003e\u003ci\u003eseries distils the big ideas of burgeoning architectural practices into compact books with a critical remit. Each edition in the series focuses on the output of a select practice, unpacking its thinking and approach through the presentation and analysis of a collection of key works. Modestly presented and affordably priced, the \u003c\/i\u003e\u003cspan\u003eminimono \u003c\/span\u003e\u003ci\u003eseries nevertheless offers readers rare insights into the conceptual genesis of some of Australia’s most innovative architectural practices.\u003c\/i\u003e\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14871176454,"sku":"9780987228178","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Paul-Morgan-Architects.jpg?v=1624099669"},{"product_id":"hightide-queensland-design-now","title":"Hightide: Queensland Design Now","description":"\u003ch4\u003e\n\u003cem\u003ePublisher:\u003c\/em\u003e Uro Publications 2013 \u003cem\u003eAuthor:\u003c\/em\u003e Jason Bird \u003cem\u003eDesign:\u003c\/em\u003e Bjorn Rust \u003cem\u003eISBN:\u003c\/em\u003e 9780987228147 \u003cem\u003eFormat:\u003c\/em\u003e Hardback (clothbound with bookslip), 112pp, 180mm x 250mm\u003c\/h4\u003e\n\u003cp\u003eOnce best known for its beaches and idyllic tropic climate, over the past decade Queensland has emerged as a wellspring of design innovation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHightide\u003c\/em\u003e is the first book to capture the output of this vibrant centre of contemporary Australian design. Sumptuously presented, it features furniture, object and industrial design by some of Australia’s most highly regarded creative talents, including Alexander Lotersztain, Christina Waterson, Marc Harrison and many others.\u003c\/p\u003e\n\u003cp\u003eWith critical contributions from Paul McGillick, editor-in-chief of \u003cem\u003eInDesign\u003c\/em\u003e and \u003cem\u003eHabitus\u003c\/em\u003e magazines, Robert Forster, of iconic Australian rock group, the Go-Betweens, and others, \u003cem\u003eHightide\u003c\/em\u003e considers how Queensland’s qualities of place have informed the development of its unique design culture.\u003c\/p\u003e\n\u003cp\u003eComprehensive specifications, photography, and a product index are included, together with insights from the designers themselves into their inspirations and obsessions. An ideal resource for design hunters and professionals alike.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eWhat others think...\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"... a concise yet compelling look at an often understated chapter of Australia’s design identity.\" – Sara Savage, \u003ca href=\"http:\/\/www.australiandesignreview.com\/features\/34213-four-books-in-review\" target=\"_blank\" title=\"Review of Hightide in Australian Design Review\" rel=\"noopener noreferrer\"\u003eAustralian Design Review\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14891968838,"sku":"9780987228147","price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Hightide_2DCover.jpg?v=1624100256"},{"product_id":"semi-detached-writing-representation-and-criticism-in-architecture","title":"Semi-Detached: Writing, Representation and Criticism in Architecture","description":"\u003ch4\u003e\n\u003cem\u003ePublisher:\u003c\/em\u003e Uro Publications 2012 \u003cem\u003eEditor\u003c\/em\u003e: Naomi Stead \u003ci\u003eDesign:\u003c\/i\u003e Rita Reuter \u003cem\u003eISBN: \u003c\/em\u003e9780987228130\u003cem\u003e \u003cem\u003eFormat:\u003c\/em\u003e Paperback, 328pp, 210mm x 210mm x 25mm\u003c\/em\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cspan\u003eThis book is about the role of words and images in architecture. A documentation of the conventions of architectural representation, it is also an exploration of the many ways in which those conventions can be productively challenged, subverted, or ignored to broaden the conversation about architecture and what it means. The book assembles a series of essays and interviews from practicing architects on the role of representation in their work, alongside contributions from some of Australia’s most highly regarded contemporary architectural photographers. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eContributors include John Macarthur, Naomi Stead, Marcus Trimble, Justine Clark, Gavin Hipkins, Katja Grillner, Philip Goad, Brett Boardman, Peter Bennetts, Jan van Schaik and Elizabeth Watson-Brown, amongst many others. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThis project has received financial assistance from the Queensland Government through Arts Queensland.\u003c\/i\u003e\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":14900542726,"sku":"9780987228130","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/semi-detached-naomi-stead.jpg?v=1624100650"},{"product_id":"the-private-life-of-public-architecture","title":"The Private Life of Public Architecture","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003ci\u003e\u003cem\u003ePublisher:\u003c\/em\u003e \u003c\/i\u003eUro Publications 2009 \u003ci\u003e\u003cem\u003eEditor: \u003c\/em\u003e\u003c\/i\u003eAndrew Mackenzie \u003ci\u003eDesign: \u003c\/i\u003eStudio Round\u003ci\u003e \u003cem\u003eISBN: \u003c\/em\u003e\u003c\/i\u003e9780646513775\u003ci\u003e \u003c\/i\u003e\u003ci\u003e\u003cem\u003eFormat: \u003c\/em\u003e\u003c\/i\u003eHardback, 216pp, 220mm x 275mm\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\"This book assists in bringing some sanity to an ongoing debate about how Australia’s next generation of infrastructure should be delivered.\" – Peter Raisbeck, \u003ca href=\"http:\/\/architectureau.com\/articles\/books-1\/\" target=\"_blank\" title=\"Peter Raisbeck's review of The Private Life of Public Architecture in Architecture Australia\" rel=\"noopener noreferrer\"\u003eArchitecture Australia\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book is not just about a building – it is about how major architecture gets commissioned, managed and built in Australia today. In this case, we look at the new, billion dollar Melbourne Convention and Exhibition Centre. The book follows the whole process - from the three trucks of drawings, documents and models sent to the Premier's office, which won the initial design competition, through to the newspapers lurching into gear with their familiar rhetoric. Yet, despite the glare of media attention, the process that lies behind big architecture is far from clear. This book explores this process, through a building that not only challenges the conventions of public space, but also what architecture means in the contemporary city.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eWhat others think...\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003eThe Private Life of Public Architecture\u003cem\u003e is a rich banquet of a book that gets below the skin of the entire process.\" – Willow Aliento, \u003ca href=\"http:\/\/www.thefifthestate.com.au\/arts-and-letters\/book-review-the-private-life-of-public-architecture\/73967\" target=\"_blank\" title=\"Review by the Fifth Estate of The Private Life of Public Architecture\" rel=\"noopener noreferrer\"\u003eThe Fifth Estate \u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003e\u003cspan\u003erather than serving up simplistic gloss or kick-in-the-head sound bites, \u003c\/span\u003e\u003c\/em\u003eThe Private Life of Public Architecture\u003cem\u003e takes us behind the scenes of a PPP project, in this case Melbourne’s new convention centre.\" – Peter Raisbeck, \u003ca href=\"http:\/\/architectureau.com\/articles\/books-1\/\" target=\"_blank\" title=\"Peter Raisbeck's review of The Private Life of Public Architecture in Architecture Australia\" rel=\"noopener noreferrer\"\u003eArchitecture Australia\u003c\/a\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Uro Publications","offers":[{"title":"Default Title","offer_id":15552145350,"sku":"9780646513775","price":79.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/The-Private-Life-of-Public-Architecture.jpg?v=1624101166"},{"product_id":"hill-thalis","title":"Hill Thalis Architecture + Urban Projects","description":"\u003ch4\u003e\n\u003cem\u003ePublisher:\u003c\/em\u003e Uro Publications 2016 \u003cem\u003eEditor\u003c\/em\u003e: Andrew Mackenzie \u003cem\u003eDesign\u003c\/em\u003e: Paul Marcus Fuog, Uriah Gray \u003cem\u003eISBN:\u003c\/em\u003e 9780994269720 \u003cem\u003eFormat:\u003c\/em\u003e paperback, 112pp, 190mm x 230mm\u003c\/h4\u003e\n\u003cp\u003eAs we are frequently told, this is the age of the city. Cities are larger, denser and more intensely used than ever before. From this perspective it is possible to see the role of the architect as of critical importance: as a designer of and advocate for the ever-expanding built environment. Few architectural practices in Australia embody this attitude more fully than \u003ca href=\"https:\/\/www.hillthalis.com.au\/\" target=\"_blank\"\u003eHill Thalis Architecture + Urban Projects\u003c\/a\u003e. For close to a quarter of a century it has practiced architecture as the art and craft of city making.\u003c\/p\u003e\n\u003cp\u003eIn so doing, the practice has engaged in a diverse range of project types, from houses and apartments to public parks and civic infrastructure. The scale of these projects also varies wildly, from projects that are the urban equivalents of keyhole surgery, to the ambitious masterplanning of major new urban developments.\u003c\/p\u003e\n\u003cp\u003eRegardless of the project or its size, one thing remains constant: an unswerving commitment to the belief that the city is owned by us all, and it needs defending. As co-authors David and Michael Neustein observe in their essay, “regardless of client, cost, size or site, every Hill Thalis project is undertaken \u003cem\u003epro bono publico\u003c\/em\u003e: for the public good.”\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince opening its doors in 1992, Hill Thalis has undertaken over 550 projects, studies and commissions. \u003cem\u003eMinimono Volume 02\u003c\/em\u003e samples just 10 key projects from this diverse and critically acclaimed body of work. It includes considered insights from Australian Institute of Architects Gold Medallist Lawrence Nield, an interview between Philip Thalis and fellow Sydney architects Rachel Neeson and Richard Francis-Jones, as well as an essay by David and Michael Neustein.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIt provides a window into the work and thinking of an award-winning practice that has contributed significantly to the cities and streetscapes of Australia.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eABOUT THE MINIMONO SERIES:\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eUro’s \u003c\/i\u003e\u003cspan\u003eminimono \u003c\/span\u003e\u003ci\u003eseries distils the big ideas of burgeoning architectural practices into compact books with a critical remit. Each edition in the series focuses on the output of a select practice, unpacking its thinking and approach through the presentation and analysis of a collection of key works. 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This book, which accompanies an exhibition of the same title at the AA School in 2016, appears in the form of a latter-day Baedeker. But rather than a pragmatic itinerary, its content here offers an eclectic and idiosyncratic list of assorted reasons to head south, richly illustrated by Wilson's own drawings and watercolours.\u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/CmLgexdvoIC\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\"\u003e\n\u003cdiv style=\"padding: 16px;\"\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/p\/CmLgexdvoIC\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; width: 100%;\" target=\"_blank\"\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; 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border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/CmLgexdvoIC\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cscript async=\"\" src=\"\/\/www.instagram.com\/embed.js\"\u003e\u003c\/script\u003e","brand":"AA Publications","offers":[{"title":"Default Title","offer_id":19750188358,"sku":"9781907896781","price":44.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/SomereasonsfortravellingtoItaly.jpg?v=1671087296"},{"product_id":"architecture-on-display","title":"Architecture on Display","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePublisher:\u003c\/em\u003e \u003c\/strong\u003e\u003c\/i\u003e\u003cstrong\u003eAA Publications, \u003cmeta charset=\"utf-8\"\u003e\n\u003ci data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eISBN: \u003c\/em\u003e\u003c\/i\u003e9781902902968, \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eAuthor: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003eAaron Levy, William Menking, Vittorio Gregotti, \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e, 178 x 110 mm, 208pp\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003eArchitecture on Display\u003c\/em\u003e is a research initiative by Aaron Levy and William Menking that consists of interviews with each of the living directors of the Venice Biennale for Architecture. The origins of the architecture biennale are generally traced to the 1970s, when it emerged from under the umbrella of the larger Venice Biennale, which was itself established in 1895. Since then it has become one of the most prestigious forums for architectural discourse today, and has served as a model for a range of international exhibitions.\u003c\/p\u003e\n\u003cp\u003eThe book explores the biennale through the directors who established its particular discourse, including Vittorio Gregotti, Paolo Portoghesi, Francesco Dal Co, Kurt W Forster, Massimiliano Fuksas, Hans Hollein, Richard Burdett, Deyan Sudjic, Aaron Betsky and Kazuyo Sejima, as well as the current president of the Venice Biennale, Paolo Barrata. These conversations do not seek to recapitulate the exhibitions themselves but rather explore the questions that these exhibitions raise, with the hope of offering a model for future curatorial endeavours.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AA Publications","offers":[{"title":"Default Title","offer_id":19774473734,"sku":"9781902902968","price":17.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Architecture-on-Display.png?v=1626765241"},{"product_id":"four-conversations-levy-menkin","title":"Four Conversations on the Architecture of Discourse","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePublisher:\u003c\/em\u003e \u003c\/strong\u003e\u003c\/i\u003e\u003cstrong\u003e AA Publications \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e Aaron Levy, William Menking\u003c\/strong\u003e\u003ci\u003e \u003cbr\u003e\u003c\/i\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e9781907896194\u003c\/strong\u003e\u003ci\u003e \u003cem\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e, 192\u003cstrong\u003epp \u003c\/strong\u003e, 178x110 mm\u003c\/h4\u003e\n\u003cp\u003e\u003cem\u003eFour Conversations on the Discourse of Architecture\u003c\/em\u003e, is the second installment of \u003ca href=\"http:\/\/vanaleninstitute.cmail2.com\/t\/y\/l\/yhsyut\/qitzjus\/n\/?utm_medium=website\u0026amp;utm_source=archdaily.com\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eArchitecture on Display\u003c\/a\u003e, “a two-part series exploring the vexed relationship between architecture and its publics, uniting around a simple premise: that architecture problematises its own display,” (Aaron Levy, Introduction for Architecture on Display) published by the Architectural Association.\u003c\/p\u003e\n\u003cp\u003eThis new book transcribes four dinner conversations between 50 practitioners in four cities: Venice, New York, London and Chicago. 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Since the first edition was published in 2005, it has been adopted as a textbook at many universities. Organised into chapters on 'Raw Materials\/Building Materials (Modules)', 'Elements (Building Components)', 'Structures (Building Methods)', and 'Buildings (Examples)', the book now includes a new section on 'Elevators' in the chapter 'Building Components' and on 'Shell construction – expansion – core and shell construction' in the chapter 'Structures'. The chapter on 'Buildings' now includes information about the typologies of 'courtyard house vs. veranda house'. In addition, the examples section has been expanded to cover three new projects whose design processes are documented comprehensively and systematically, step-by-step. 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Kundig's award-winning houses, known for their rugged yet elegant and welcoming style, are showcased in lush photography with drawings and sketches, and appear alongside his commercial work from multistory complexes to the Tacoma Art Museum to a line of hardware (handles, door pulls, hinges, and more).\u003c\/p\u003e\n\u003cp\u003eIn firsthand accounts, Kundig describes the projects and his design process with many personal anecdotes, making Tom Kundig: Works as much memoir as monograph.The book also includes an introduction by design journalist Pilar Viladas and three revealing conversations with the architect and his frequent collaborators: gizmologist Phil Turner (the man behind the amazing mechanical apparatuses featured in much of Kundigs work), contractor Jim Dow of Schuchart\/Dow (master builder and craftsman responsible for many of the projects), and clients Shane Atchison of Studhorse and Jack Anderson of the Bigwood Residence.\u003c\/p\u003e\n\u003cp\u003eKundig's Houses (2006) and Houses 2 (2011) are two of our all-time bestselling architectural monographs. Kundig was a 2008 recipient of a Cooper-Hewitt National Design Award and was elected to the National Academy of Arts and Letters in 2007. Kundig's firm Olson Kundig was named firm of the year in 2009 by the AIA.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Princeton Architectural Press","offers":[{"title":"Default Title","offer_id":19781231366,"sku":"9781616893453","price":125.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/TOM-KUNDIG-WORKS-9781616893453.png?v=1755051152"},{"product_id":"thinking-architecture","title":"Thinking Architecture: Peter Zumthor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003ci data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAuthor:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong data-mce-fragment=\"1\"\u003e Peter Zumthor. \u003c\/strong\u003e\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePublisher:\u003c\/em\u003e \u003c\/strong\u003e\u003c\/i\u003e\u003cstrong\u003e Birkhauser Architecture.  \u003c\/strong\u003e\u003ci\u003e\u003cbr\u003e\u003c\/i\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e9783034605854. \u003c\/strong\u003e\u003ci\u003e \u003cem\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003eHardcover\u003c\/strong\u003e, 112\u003cstrong\u003epp \u003c\/strong\u003e, 236x147x17mm\u003c\/h4\u003e\n\u003cp\u003eArchitecture that is meant to have a sensuous connection to life calls for thinking that goes far beyond form and construction. In his texts, Peter Zumthor articulates what motivates him to design his buildings, which appeal to the visitor's heart and mind in so many different ways and possess a compelling and unmistakable presence and aura.\u003cbr\u003e \u003cbr\u003e Now in its third edition, this book has been expanded to include two new essays: \"Architecture and Landscape\" deals with the relationship between the structure and its surroundings, with the secret of the successful placement and topographical integration of architecture. In \"The Leis Houses\" Peter Zumthor describes the genesis of two wooden houses in the town of Leis in the Swiss canton of Graubunden, thus thematizing the special challenge of integrating contemporary architecture into a traditional architectural context.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/Cgim5AYpQSn\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\"\u003e\n\u003cdiv style=\"padding: 16px;\"\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/p\/Cgim5AYpQSn\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; 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border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/Cgim5AYpQSn\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cscript src=\"\/\/www.instagram.com\/embed.js\" async=\"\"\u003e\u003c\/script\u003e","brand":"Birkhauser","offers":[{"title":"Default Title","offer_id":19781231494,"sku":"9783034605854","price":79.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Thinking-architecture.jpg?v=1631236966"},{"product_id":"atmospheres","title":"Atmospheres: Peter Zumthor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePublisher:\u003c\/em\u003e \u003c\/strong\u003e\u003c\/i\u003e\u003cstrong\u003e Birkhauser Architecture, \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e9783764374952, \u003c\/strong\u003e\u003ci\u003e\u003cem data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAuthor:\u003c\/strong\u003e\u003c\/em\u003e\u003cstrong data-mce-fragment=\"1\"\u003e Peter Zumthor, \u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003eHardcover\u003c\/strong\u003e, 243 x 177 mm, 75pp\u003c\/h4\u003e\n\u003cp\u003eWhat 'really constitutes an architectural atmosphere,' Peter Zumthor says, is 'this singular density and mood, this feeling of presence, well-being, harmony, beauty, under whose spell I experience what I otherwise would not experience in precisely this way.' Zumthor's passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it.\u003c\/p\u003e\n\u003cp\u003eIn nine short, illustrated chapters framed as a process of self-observation, Zumthor describes what he has on his mind as he sets about creating the atmosphere of his houses. Images of spaces and buildings that affect him are every bit as important as particular pieces of music or books that inspire him. From the composition and presence of the materials to the handling of proportions and the effect of light, this poetics of architecture enables the reader to recapitulate what really matters in the process of house design.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/CUW5T9hlFKc\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"13\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);\"\u003e\n\u003cdiv style=\"padding: 16px;\"\u003e\n\u003ca href=\"https:\/\/www.instagram.com\/p\/CUW5T9hlFKc\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"background: #FFFFFF; line-height: 0; padding: 0 0; text-align: center; text-decoration: none; width: 100%;\" target=\"_blank\"\u003e\n\u003cdiv style=\"display: flex; 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border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; 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Through their work, four artists from four different countries express their views on contemporary mutability. Choi Jeong Hwa, Martino Gamper, Pedro Reyes and Didier Fiuza Faustino are, in some way, transformers: weapons become musical instruments, chairs are made from handmade fabrics.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Corraini Edizioni","offers":[{"title":"Default Title","offer_id":19781232646,"sku":"9788875705374","price":42.5,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Transformers_5a11a9d3-289e-4533-87e0-788eebb81894.jpg?v=1624102228"},{"product_id":"l-dont-have-a-favourite-colour-vltra","title":"l Don't Have a Favourite Colour","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePublisher:\u003c\/em\u003e \u003c\/strong\u003e\u003c\/i\u003e\u003cstrong\u003e Gestalten \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e Hella Jongerius\u003c\/strong\u003e\u003ci\u003e \u003cbr\u003e\u003c\/i\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e9783899556650\u003c\/strong\u003e\u003ci\u003e \u003cem\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003eHardcover\u003c\/strong\u003e, 152\u003cstrong\u003epp \u003c\/strong\u003e, 210x320 mm\u003c\/h4\u003e\n\u003cp\u003eThe book \u003cem\u003eI Don’t Have a Favourite Colour\u003c\/em\u003e maps out many of the colour experiments that contributed to Vitra’s Colour and Material Library since Hella Jongerius and Vitra began collaborating over one decade ago. 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With projects by Alberto Kalach, Tadao Ando, Hiroshi Sambuichi, Zaha Hadid, Studio Mumbai, Peter Stutchbury, Kengo Kuma, Cecilia Puga, Steven Holl, Sou Fujimoto, and many more.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ada Edita Global Architecture","offers":[{"title":"Default Title","offer_id":20318247430,"sku":"9784871400947","price":59.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Project_2016_GA_Houses.jpg?v=1464673934"},{"product_id":"toyo-ito-2-2002-2014","title":"Toyo Ito 2: 2002-2014","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePublisher:\u003c\/em\u003e \u003c\/strong\u003e\u003c\/i\u003e\u003cstrong\u003e Toto 2015 \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e Toyo Ito \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e 9784887063464 \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eFormat: Softcover\u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e, 392\u003cstrong\u003epp, 190x255mm\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cp\u003eThe second in a two-volume introduction to the extraordinary career of architect Toyo Ito, this monograph features 20 of his works in Japan and abroad since the Sendai Mediatheque, including the 2002 Serpentine Gallery Pavilion, Tama Art University Library and Kaohsiung Stadium, plus ongoing projects such as the National Taichung Theater.\u003c\/p\u003e\n\u003cp\u003eIn addition, Ito's endeavours surrounding his Home-for-All project (featured at the 2012 Venice Biennale) are given special attention.\u003c\/p\u003e\n\u003cp\u003eIn a conversation with Terunobu Fujimori, Ito reveals his personal insight regarding these edited buildings and projects, which are accompanied by abundant photographs, drawings and sketches.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Toto","offers":[{"title":"Default Title","offer_id":20318247686,"sku":"9784887063464","price":134.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/Toyo-Ito_fd5c6ea6-d53b-4f0e-ab7c-01625b61df07.jpg?v=1624102379"},{"product_id":"sou-fujimoto-architecture-works-1995-2015","title":"Sou Fujimoto Architecture Works 1995-2015","description":"\u003ch4\u003e\n\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePublisher:\u003c\/em\u003e \u003c\/strong\u003e\u003c\/i\u003e\u003cstrong\u003e Toto 2015 \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e Sou Fujimoto \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eISBN: \u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e 9784887063495 \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eFormat: Softcover\u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e, 376\u003cstrong\u003epp, 190x250mm\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cp\u003eAttempting to form an overview of the experimentation that has gone into his efforts over the past two decades, Sou Fujimoto compiles a multifarious and richly illustrated collection of works, concepts, new ideas, and unrealised projects that is remarkable both for its sprawling diversity and for its consistency in the pursuit of an ideal.\u003c\/p\u003e\n\u003cp\u003eAs Fujimoto writes in his introduction – 'Beneath even the boldest, most daring proposals lie many years of patient trial and error.'\u003c\/p\u003e\n\u003cp\u003eEach project description contains index numbers of other projects that bear a resemblance to it, enabling readers to trace an interconnected web of interrelated concepts through his entire body of work.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote class=\"instagram-media\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/DLENrhyS5VP\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\"background: #FFF; 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border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca href=\"https:\/\/www.instagram.com\/p\/DLENrhyS5VP\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" target=\"_blank\"\u003eA post shared by Bookshop by Uro (@bookshop_by_uro)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Toto","offers":[{"title":"Default Title","offer_id":20318247750,"sku":"9784887063495","price":100.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1116\/0464\/products\/sou-fujimoto-architecture-works.jpg?v=1631237162"},{"product_id":"log-52-summer-2021","title":"Log 52: Summer 2021","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003e\n\u003ci\u003e\u003cstrong\u003e\u003cem\u003ePublisher:\u003c\/em\u003e \u003c\/strong\u003e\u003c\/i\u003e\u003cstrong\u003e Anyone Corporation, \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eISBN: \u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e9781736500705\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003ci\u003e\u003cem\u003e\u003cstrong\u003eFormat: Softcover\u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e, 176\u003cstrong\u003epp, 170mm x 140mm\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis issue of ‘Log’ addresses how Black artists and designers feel socially and culturally limited due to the way the public perceives their work. Two pieces reflect on this: a conversation on Black social practice with Thelma Golden (director of the Studio Museum in Harlem, New York City), architect David Adjaye, and artist Rick Lowe; and a review of ‘Reconstructions: Architecture and Blackness in America’ at MoMA (2021). Other contributions include Kurt W. 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\u003c\/strong\u003e\u003c\/em\u003e\u003c\/i\u003e\u003cstrong\u003eHardcover\u003c\/strong\u003e, 240\u003cstrong\u003epp, 287x218mm\u003c\/strong\u003e\n\u003c\/h4\u003e\n\u003cp\u003e'On the Move' is a barometer of landscape architecture in Europe.\u003c\/p\u003e\n\u003cp\u003eThis publication offers a selection of contemporary projects on the basis of a democratic call for entries, controversial discussions by a European jury of practitioners, and design critiques formulated by the editors.\u003c\/p\u003e\n\u003cp\u003eWith projects in Berlin by Raumlabor and Atelier LOIDL, in Lens by Mosbach Paysagistes, in Tarragona by EMF, in Amsterdam by Landlab and many more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Blauwdruk","offers":[{"title":"Default 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