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Designing History: Documents and the Design Imperative to Immutability - softcover book with typographic cover design

Designing History: Documents and the Design Imperative to Immutability

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Designing History: Documents and the Design Imperative to Immutability reframes graphic design history around bureaucratic instruments — passports, banknotes, certificates, property deeds — to argue that the document, not the poster or the typeface, is design's most consequential form.

About This Book

Canonical graphic design history has long privileged the expressive and the authored — the poster, the typeface, the grid. Designing History breaks with that tradition by centring the bureaucratic document as the discipline's most pervasive and politically loaded artefact. Money, passports, certificates, and property deeds are not marginal to graphic design history; they are constitutive of it. In placing these instruments at the centre of analysis, the book repositions the designer not as a creative practitioner but as an agent of bureaucratic authority — a shift with profound implications for how graphic design pedagogy and practice understand their own histories. A revised edition of Immutable: Designing History (2022), this volume includes an extended essay that maps these arguments onto broader questions of historical and institutional assumption.

Key Features

  • 192 pages of critical historical and theoretical writing on graphic design and bureaucratic document forms
  • Published by Set Margins, 2022

What You'll Discover

  • Why money, passports, and property deeds constitute a more politically revealing archive for graphic design history than conventional canonical objects
  • How the designer's role shifts when understood through the lens of bureaucratic authority rather than creative authorship
  • The historiographical and pedagogical assumptions embedded in existing graphic design histories — and how a document-centred model challenges them
  • An extended essay, new to this revised edition, that contextualises the project as a remapping of graphic design's practical and institutional foundations

About the Author

[Details available upon request]

Specifications

  • Format: Softcover
  • Pages: 192
  • Dimensions: 15 x 23 cm
  • Language: English
  • ISBN: 9789083404103
  • Publisher: Set Margins
  • Publication Date: 2022

Perfect For: Graphic designers and design historians seeking a critical alternative to canonical histories, educators rethinking design pedagogy, and researchers working at the intersection of design, politics, and bureaucratic culture.